Rare 1950's Maurizio Tempestini for Salterini Tete a Tete
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Rare 1950's Maurizio Tempestini for Salterini Tete a Tete
About the Item
- Creator:Maurizio Tempestini (Designer)
- Dimensions:Height: 30 in (76.2 cm)Width: 68 in (172.72 cm)Depth: 29 in (73.66 cm)Seat Height: 15.5 in (39.37 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 50's
- Condition:Wear consistent with age and use. This lovely piece is in very nice vintage condition.
- Seller Location:Pemberton, NJ
- Reference Number:1stDibs: LU94321010890
Maurizio Tempestini
Italian architect and furniture designer Maurizio Tempestini is well-known among vintage outdoor furniture aficionados for his sculptural Clamshell line and other elegant mid-century modern furnishings for patios and gardens.
Born in Florence in 1908, Tempestini completed his studies in Industrial Decoration at the Porta Romana Art Institute in 1929. His career as an interior architect and furniture and lighting designer flourished during the early 1930s. It was during this time Tempestini was also active as a set designer for several Italian theater productions, including Mario Massa’s Osteria degli immortali and Luigi Bonelli’s comedy Il Gigli.
Tempestini then turned his attention from the stage to designing furniture and decorative objects. He crafted pieces for ceramics factory Cantagalli in Florence, as well as for Murano glass manufacturers Seguso and Cappellin.
In 1934, Tempestini worked on the external renovation of the Palazzo delle Esposizioni at the Parterre di San Gallo in Florence for the Littoriali Exhibition. Later, in 1938, he formed a studio with architects Nello Baroni and Pietro Porcinai before cofounding the legendary postwar Italian lighting maker Arteluce with designer and engineer Gino Sarfatti in 1939.
During the 1950s, Tempestini designed lighting fixtures for Lightolier and began to collaborate with Brooklyn, New York’s John B. Salterini Company. Salterini was an Italian emigree who initially worked in journalism before becoming an eminent producer of high-end wrought-iron furniture.
Tempestini’s modernist outdoor furniture for Salterini resembled indoor seating manufactured by the likes of Knoll or Artifort — his chairs and other seating boasted organic curves and seductive, unconventional shapes. His work complemented Salterini’s own handmade designs, which reflected Gothic Revival and Art Deco influences. Together the designers produced successful lines of garden and patio furniture for Salterini’s eponymous firm.
Tempestini’s name soon became widely known in the United States. His designs were first introduced to the American public in 1951 through Gimbels Department Store and Suniland Furniture in Houston, Texas. Today his bold and stylish patio furniture remains sought after by collectors everywhere.
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