1850s Pedestals and Columns

Neoclassic pedestal featuring gorgeous black marble with slight pink and white vein. Bronze doré Corinthian column support with same band at base. See measurements below.

Each with a white marble square top supported on a cylindrical marble column with plinth base.

Assembled pair, in columnar form with ebonized capitals and bases. Faux porphyry inspired by Egyptian artifacts brought to ancient Rome.  Dimensions not identical.

Pair of pinnacles Northern Italy, mid-19th century Botticino marble, carved They measure 33.1 inches in height x 17.7 x 17.7 (84 cm x 45 x 45) State of conservation: some visible cracks and various small gaps. The two twin architectural elements of sculpted Botticino marble have a quadrangular base from which a chalice-shaped foot extends. Resting on this, a round pod-like element swells up to support a large pine cone. This is the main decoration: however, the other ornamental details enhance and embellish it, while exalting its position above, whether observed from afar or up close. These aesthetic characteristics suggest that originally the pair of pinnacles were placed on columns or on architectural plinths...

A similar model presented at the 1855 Paris Universal Exhibition Total height : 154 cm (60 5/8 in.) ; Width : 33 x 33 cm (13 x 13 in.) Cup : height 17 cm (6 ¾ in.) Beautiful pair of bronze stands also named Bamboo candelabra. Each rests on three claw feet adorned with lion heads and separated with palms. A bamboo shaped shaft arises from this tripod and is topped with three buds supporting a circular red griotte marble top on which stands a cup in the Ancient style decorated with ivy. The sobriety of the decoration enhances the quality of the bronze cast and the patina shades. The small chains falling from the top animates this work of a sleek design. The model : The design of these stands, inspired from Ancient tripods, is a well-known model in Ferdinand Barbedienne’s production as it was reused many times by the bronze-caster. Designed by the head-decorator Henri Cahieux, this model was edited by the Barbedienne Company as soon as 1855, named Ancient candelabra lamp-holder h. 1m35 and was sold 440 francs. From 1875, these stands were commercialised under the name Bamboo candelabra, tripod, lamp-holder and were offered in three heights : 1m90, 1m70 and 1m35. This model of stand could then be found in all catalogues of the Barbedienne Company. This pair of candelabras allows us to see how F. Barbedienne offered during decades a range of furniture from the designs of his decorator. This type of stand could be seen in different interior decorations of the Second Empire A model similar to ours was presented by the Barbedienne Company at the 1855 Universal Exhibition. For this occasion Empress Eugénie bought it for her toilet at Saint-Cloud Castle. A watercolor by Fortuné de Fournier made in 1860 shows them, set on both sides of a cheval mirror made by the Fourdinois Company. (see photo attached) This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoirs at Compiègne and Fontainebleau Palaces. Otherwise similar stands took place in the Pompeiian house built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoléon. Several pictures and engravings of this house show us these candelabras used...

A unique and sculptural bookstand made almost entirely of long patinated copper-plated steel rods twisted in such a fashion to create an esthetic yet structurally strong frame.

French onyx and gilt bronze garden pedestal with a squared foliage bronze collar top, central turned column support, and resting on a squared foliage bronze collar base, Mid 19th Cen...

Originally used in a garden and was electrified. Stylized Corinthian capitol with the remains of an old metal switch box, grape and grapevine carved column, square stepped base.

Hand-carved in France, circa 1850, these fascinating wine press screws have been repurposed to form the columns of this rare pair of sellettes, or tall pedestals. Originally used at a French vineyard to extract juice from grapes by applying pressure, the screws are made of walnut wood. The turned screws...

Important sculpture stand in the shape of a Corinthian column. The foliage capital is in gilt bronze. This pedestal rests on a stepped foot decorated with gilded bronzes with leaf cr...

Pedestal, 2nd half 19th century, walnut, dark stained, carved, partially gilded, finished with marble top, restored condition, shellac wax polish Height: 149 cm, width 50.5 cm, dept...