Late 19th Century Pedestals and Columns

A fine quality and rare pair of late 19th century French Louis XVI style pedestals by Francoise Linke. Each having their original marble tops, wonderful gilded ormolu mounts depicting ribbons, swags, Lion masks and rococo mouldings...

Pair of blackened wood columns with a very fine straw "Paille" marquetry frieze ornamented with geometrical motifs.

Pair of Jacobean stands, profusely carved having eagles above acanthus scrolling columns. The dolphin bases with moulded plinth. Dimensions: Height 53 inches Width 20.5 inches De...

Pair of antique eclectic style onyx and marble pedestals French, late 19th century Dimensions: Height 114cm, width 34cm, depth 34cm Crafted from on...

Late 19th qcentury giltwood torchere with circular top above the fluted reeded column and acanthus clad circular base with square plinth. Dimensions: Height: 56 inches. Diam...

A fine Louis XV style gilt bronze mounted pedestal, by Zwiener Jansen Successeur. French, circa 1900. Stamped to the reverse of the bronze mounts 'ZJ' for Zwiener Jansen. Th...

A very tall pair of decorative wood columns in two parts (bases and tops), painted in polychrome marble trompe l'oeil. The moldings on the tops parts (painted in antique gold) are in...

This antique pair of gorgeous late 19th century Italian carved wood architectural pedestals or columns features rectangular form and a wonderful...

A very fine pair Of Louis XV style gilt bronze mounted marquetry inlaid pedestals, firmly attributed to Maison Millet. French, circa 1880....

A Pedestal by E. Kahn of Paris After a model by Jean-Henri Riesener Constructed in the Neo-Classical manner in fine specimen woods and high quality ormolu work; the incurved base, ...

K0370 Excellent pair of 19th century rouge, marble columns with brass collars. All in home ready condition, circa 1880 Measures: H 40.5” x W 11” x D 11” H 103 cm x W 28 cm x D 28 cm.

Beautiful and rare Empire style pair of Italian green marble and gilded bronze columns. Napoleon III period. Bronze Medicis on the top removable thanks to a metal rod. There are me...

A Louis XVI style wall-side veneered wood pedestal, mounted with fine gilt-bronze ornaments. Topped with “Brèche” marble.

A pair of unusual green serpentine marble pedestals, carved with entwined dolphins. Italian, circa 1880. This unusual pair of serpentine marble...

Very unusual and pretty plant stand (pedestal and cache-pot). The wood structure is sheathed in fine sheet copper, which has been decorated with a motif of repoussé birds and flowers...

Constructed in walnut, dressed with gold gilt bronze mounts, polychrome gold paintwork and Marseilles Rose marble; of bombe form, rising from gilt bronze sabot shod swept legs, the h...

A very fine pair of Louis XVI Style gilt bronze mounted mahogany pedestals, attributed to Sormani. French, circa 1870. The pedestals are of tapering form with finely chiselled...

Column out of sandstone with a Corinthian capital and fluted shaft, the base is decorated with scrollwork ornament. Very beautiful natural patina.

A pair of Louis XVI style gilt-bronze mounted mahogany pedestals. French, circa 1900. Each pedestal is of tapering square section with gilt bronze garlands and acanthus bands.

2 Important cast iron garden vases in the style of Louis XVI, end of 19th century. Antique-style vases adorned with female medallions, fluting, Greek-style handles, laurel garlands,...

A rare wood column adorned with patinated iron and gilt bronze ornaments. It relies on four bronze feet and is topped with a foliate bronze capital with caduceus. A bronze band is ci...

A pair of pedestals in the manner of Befort Fils of Paris Constructed in bois noirci, dressed with gilt bronzes, and hardstone inlays; rising from incurved serpentine stepped bases, the inverted tapering columns having central hardstone panels...

A very decorative and unusual Arts & Crafts antique oak pedestal. The moulded square top is set above four carved panelled sides raised on a moulded plinth base. Each panel has a figure carved in high relief representing the four seasons of Spring, Summer, Autumn and Winter. Provenance: Originally from Ravensby Hall in Carnoustie, Angus, Scotland, circa 1900. Notes: Ravensby Hall, with its turrets, bays and gables, built in the 1870s for The Thomson family of Dundee, is an elegant country house incorporating both Gothic and Scottish Baronial...

Late 19th century wood sculpted column in walnut hand-carved and ebonized. Measure in cm: Height 63 diameter 40.

This extraordinary pair of 2 columns is made of teak wood with nice vintage patina. The capitals and stone basis feature scarved geometrical paterns. Each column is composed of 3 par...

French pedestal wine press screw, 19th century. Brutalist style Good antique condition Solid and sound Shipping: 36 / 36 / 91 cm 16.6 Kg.

"Poésie" a 19th century French Polychromed Symbolist marble sculpture A Carrare, Sienna and very rare Skyros Marbles Symbolist Sculpture Group. Figuring Poetry under the appearance of Dante and Béatrice resting on a rock, Dante holding in his hand a parchment titled "Poetry". It rests on a Neo-Renaissance moulded and hand-carved walnut rotating sellette, the barrel consists of three fluted Corinthian columns, decorated with foliage at the base, resting on a truncated column decorated with female masks connected by a drape. It’s joined, in the upper part, by arcatures with a background of foliated foliage and masks of women crowned alternately with cutout RT monogram. Moulded triangular base, with curved sides and rising from lobed angles with a frieze of oves at the base. Circa 1870 Measures: Sculpture: H. 75 CM • 29 1/2 IN. Sellette: H. 112 CM W. 44 CM - D. 49 CM H 44 1/8 IN. W 17 3/8 IN. D 19 1/4 IN. The poetry of Dante Alighieri (1265-1321) Beatrice Portinari, simply known as Beatrice or Beatrix, commonly refers to the muse of Dante Alighieri, whom he glorifies and loves. But she is also a woman whom, if one follows the New Life, Dante loved from his childhood, and to whom he dedicated a place in all his works. More sensitive than all is the resolute amplification which, after the pathetic force and expressionist intensity of Hell, intensifies with the more elegiac and penetrating emotion of Purgatory and leads to the miraculous triumph of the imaginary in Paradise. Of the three «hymns», it is Hell which is the most known, the most popular one can say: the taste of the picturesque, spread by the romantic criticism, is much to it. Dante, however, had the conviction, repeatedly affirmed in his poem, that by rising from one kingdom to another, he raised his poetry each time by a level which made it worthy of an ever more «high» matter. At a distance of six and a half centuries, there is certainly no obligation to share this view, however assured it may be for the poet. Anyone, however, who wants to enter the world of the Comedy must refuse the scale, eliminatory in its consequences of fact, which puts such a section above the other or brings the Comedy to a rosary of episodes more or less «beautiful» Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti...

Pedestal in red griotte marble from Belgium. The square top placed on a capital and the molded foot are in contrasting gray marble. It is a work of the 19th century. This pedesta...

French pedestal wine press screw Brutalist style Diameter of the top 12.6 in. (32 cm) Good antique condition: Solid and sound Please see also: LU4476221842282 Wine press screw pedes...

This is a gorgeous pair of large antique ebonised and porcelain pedestals, circa 1880 in date. The pedestals feature elaborately turned ebonised wood capitals and bases, with a porc...