Lost Wax Cast Bronze Sculpture on Base Inspired by Auguste Rodin's The thinker

A vintage Greco-Roman style lost wax cast bronze statue of a cherub standing on a shell from the 20th century, with great details in the curly hair, chubby face and wings, in dark patina. This vintage Greco-Roman style statue...

A vintage lost wax cast bronze statuette of a deer on marble base. Created with the traditional technique of the lost-wax (à la cire perdue) which allows for great precision and fine...

A cast bronze statue of a young Japanese maiden standing on a fish base. Created with the traditional technique of the lost-wax (à la cire perdue) which allo...

Vintage lost wax cast bronze foo dog sculptures from the mid 20th century. We currently have three with bronze patina (no more verde patina), both of which are showcased in the photo...

An important original bronze sculpture of Brother and Sister- Frère et Soeur , by A. Rodin (1840-1917) signed 'A. Rodin' on the right of the base, inscribed with the foundry mark 'Alexis Rudier...

The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...

This sculpture of a hand, crafted in fiberglass, aligns directly with Rodin’s legacy. Shaped in a closed volume, it strips the gesture of any superfluous expression, concentrating a ...

Auguste Rodin Age of Bronze Patinated Bronze Sculpture Re-Cast XX Century ABOUT THE ARTWORK Rodin's breakout sculpture, The Age of Bronze (L'Age d'airain) caused a critical scandal ...