Louis Dejean 1920's Direct Carved Sculpture in Pink Granite

Granite sculpture by Juan Pablo Marturano, Argentina, 2019. Titled: "De la serie Cordilleras imposibles". Juan Pablo Marturano was born in Buenos Aires in 1975. In 1999 he receiv...

A pair of very large and expressive opposing Foo Lions in Granite with an overall gray-green speckled finish. The lions are seated, one with its pup and the other holding a long stemmed flower. Measures: height 37", wide 16", depth 32" approximate weight of both lions is 3,000 pounds. Condition: Please see all detail photos. Both tails with losses on the ends, there is a larger repair in cast stone or ceramic, to the face of one Lion...

Refined sculpture in Portugal pink marble. Great artistic quality, not signed. Face of the virgin Mary in prayer. Work of the Art Deco period.  

Beautiful hand carved sandstone of half nude sculpture of standing women in Classical Greek style an attractive outdoor sculpture or as an indoor exceptional object of art.     

An evocative and masterfully carved freestanding redwood sculpture depicting a standing figure, signed by the artist.

The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...