Terracotta Sphinxes

Plaster sculpture of flora after a classical original with windswept skirt and pinned up curly hair.

Cast stone garden figure in the shape of a putto as the personification of spring, dressed with a garland of flowers and other flowers in his hair.

Life-sized marble sculpture of the so called ‘Resting Hermes’ by Lysippos. The sculpture was hand-carved out of white marble and has a fine surface.

Larger than life-sized iron sculpture is mounted on a rectangular base and can be rotated. The sculpture in an abstract humanoid form has angled arms and an S-shaped body and slightl...

Set of dining table and armchairs. Garden or Patio Furniture. Indoor and outdoor.

A three-quarter lifesize French buff terracotta antique statue of Clio, one of the 9 Muses of Greek Mythology, dating from the early 20th century. Goddess of history, Clio leans on a tree stump and is swathed in sweeping fabric, holding an open scroll in her left hand as she is often depicted. Of good scale and design, this Clio muse statue...

Our Sphinx is Persephone, and she started as an old kingdom Egyptian relic. I then turned her musculature into mechanical appendages like she was an icon or idol off the set of the 1927 film, “Metropolis”. She was going to be an AI sphinx but I still wanted to incorporate Rhubarb within her adornment as she is a Nordic or Maritime sphinx. Big leafed rhubarb didn’t resonate with the mechanized look I had just executed beautifully. At the very least she is a North American sphinx with feather and wheat motifs. I included for symbolism and beauty (of course), ancient Egyptian and Greek floral references befitting a worldly creature. I took liberties and referenced eighteenth and nineteinth "Orientalism". The Sphinx is a mythological creature and not anything that moved across terrains anywhere that most of us have been. The AI sphinx was too fascist and severe for most gardens. I liked it deeply and may revisit that avenue once this sphinx’s’ plaster dust has settled. I love the Baroque, so I decided to go Baroque by giving the lions coat some seriously carved fur and curly cues. She looked like any one of the seventeenth century Louis’ characters crossed with a French poodle. That was a bad notion. I then created a sphinx that I like, a sphinx from my soul but seriously influenced by other artists. In the end she is uniquely elegant and powerfully poised, with distinct features. Compared to most sphinx throughout history her breasts are too high on her chest but seductive none the less (she is a contemporary sphinx). Her head is elongated, much like the busts of the Armana period in Egypt, but that’s just her hair and headdress, not her skull. Her rump and back are sensual. The Rhubarb Sphinx, embodies a history of sphinxes created by Europeans after the Napoleonic invasion and the extensive survey of Egypt which ignited a design frenzy of all things ancient Egypt. She is an esoteric garden folly...

20th century limed terracotta statue "Ragazza che protegge il suo cucciolo dal serpente" Girl Protecting Her Puppy From a Snake after Odoardo Fantacchiotti (1809-1877), supported by a square-form limed terracotta pedestal. This work evokes a great deal of tenderness from the viewer. The girl, dressed in drapery that seems to want to slip off her body at any moment, holds in her arms a frightened puppy seeking protection. The young girl's melancholy gaze and the little dog's frightened gaze are turned towards the snake which, at the height of her feet, raises its threatening head. Pedestal 30...