Bavarian Hunting Trophy Horn

Oil on canvas, signed in the lower left. This painting measures 23" x 19.75" including the frame. It has a beautiful luminous quality and features a hunter and his dog hunting woodco...

Bronze on polished stone base, signed and edition numbered. The sculpture stands 12" tall including the base. Edition 4/9 Medium: bronze Canadian, b. 1929 James Edward Ritchie (Jim Ritchie) born in Montreal, Canada, he is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, Abstract figurative work, and modernism, and the human figure is the subject of much of his work. Ritchie had several exhibitions in Montreal before moving to the small town of Vence in Provence, where he lived and worked for over thirty years. The Adelson Galleries in New York began representing him in 1980, where he had 2 solo exhibitions. Over the next twenty years, Warren Adelson arranged exhibitions of his work in Boston, Los Angeles, and the Miami Art Fair. He has had a sixty-year career in sculpting, and now shows his work locally and has a permanent collection of his sculptures at the Mas d L’Ormée in Vence. ARTIST NOTE: “When I first started casting my bronzes in Pietrasanta, I did editions of 6 with 2 artist’s proofs. I began at Fonderia Tomazzi, where I did only a few pieces. The same is true for Fonderia Tesconi. After moving to Fonderia Mariani and Ballfiore in 1972, my editions remained at 6 until approximately 1980 when I started to cast editions of 8 with 4 artist’s proofs, the intentionally recognized legal limit, after which the mould is destroyed. In the year 2000, I moved to Fonderia d’Arte del Chiaro and have stayed with them. All my bronzes have remained editions of 8 with 4 artist’s proofs. Since I stopped direct carving in marble in the 1980’s, I have worked with wax, making maquettes, which vary in size, but are about 30 centimeters in height. These are cast in bronze but are also used when I do them in larger sizes, in marble and other stones. As a general rule, I do an intermediate carving in stone that is three times the size of the original maquette, before doing a large carving, as the margin of error from 30 centimeters to 2 or 3 meters is too great. From these enlargements in stone, I make moulds which are used in the casting of bronzes the same size. The stone carvings are all unique pieces that I’ve signed and dated. The bronze castings are all done in numbered editions of 8 with 4 artit’s proofs. Normally, for a new edition, I cast only two or three of the edition. When these are sold, I cast two more, etc. Many of my bronze editions have not been cast in their entirety for obvious reasons, as I move on to new pieces. Therefore, they are not dated. I decided to omit all dimensions, since often, when a maquette is shown in a photo, it’s the same as the enlargement. The bronzes are all signed and numbered by me. I have never done an edition that exceeds the legal 8 with artist’s proofs. My marble carvings are all done at Studio Angeli, in Pietrasanta. I continue to work with Giorgio Angeli for my marble enlargements and have done so since 1972. SELECTED SOLO EXHIBITIONS: 1957, Galerie Libre, Montreal 1962, Grafton Gallery, London 1962, Broadway Gallery, Worcestershire 1963, Klinkhoff Gallery, Montreal 1964, Madden Gallery, London 1965, Galerie Minotaure, Vence 1966, Galerie Martal, Montreal 1966, Alwin Gallery, London 1968, Pollock Gallery, Toronto 1968-1970, Moos Gallery, Montreal 1972, Waddington Gallery, Montreal 1975,Galerie Bernard Desroches, Montreal 1987, Galerie L’Art Francais, Montreal 1988, Galerie Alphonse Chave, Vence 1988, Coe-Kerr Gallery, New York 1989, Feingarten Galleries, Los Angeles 1992, Pucker Gallery...

Bronze sculpture of a musician by Nathaniel Kaz, signed and dated 1952. Measures 23” x 10” x 19” including the plinth base. Nathan Katz was born in the ...

2016 Limestone, marble, calcite and mixed media Hamburger: 11”H x 13”W x 12”D With base size 13”H x 26”W x 22”D What is America? American sculptor Robin Antar has been called “Brooklyn’s answer to Andy Warhol.” Her mission is to create a visual record of modern American culture through commonplace objects as she explores the question, “What is America?” Meticulously carved in stone, a hamburger with fries, an American-made work boot, denim jeans and a giant "Ballpark Frank...

African Antelope hunting Trophy Mounted on a Zinc stand.

Bibelot 19th/20th C. Horn Cyclist Trophy Drinking Cornucopia Horn of Plenty CA Mounted in silver plated cover on top a lion holding coat of arms. Oak Tree Holding up the Scottish Trophy Elaborate Embossing and Engraving with a rarely seen cyclist figure standing by his bicycle. End of Victorian Era. A very large drinking horn or 'Horn of plenty' Very elaborated decorative engraving and embossing on the copper and metal parts, a real impressive piece. Antique Dealer Los Angeles West Hollywood Melrose Ave La Cienega blvd. This beautiful garniture on a desk a table or a console will add instant elegance. vibrant and charmin In a modern interior design or an old world charm traditional, decorative object for interior decoration design, A perfect gift during the holiday season, or special house warming present. It will be a great addition to your special collection in a library as part of the bibelot. This beautiful trophy goes to the time at the end of the beautiful Victorian Era When the Scotts had incredible Cyclists with the formal attire and high boots. It reminds me as well of the movie “ Chariots of fire...

Description:  Antique 19th century Victorian solid silver important figural hunting statue, dipicting a huntsman holding a fox and his hounds at his ...

Discover the Buffalo Bottle, a remarkable hand-blown glass creation by the esteemed Simone Crestani. This captivating piece belongs to the Africa Trophy Bottles...