Four Storage Baskets by Dirk van Sliedregt (attr.) for Rohé, Netherlands 1960s

This rattan and steel basket is attributed to Dutch designer, Dirk van Sliedregt, and was manufactured by Rohé Noordwolde in the 1960s. The Rohé basket ha...

This chair was originally designed by the Dutch Benedictine monk and architect, Dom Hans van der Laan for the Abbey Church of St. Benedictusberg located near the Dutch town of Vaals. This easy chair is in an untouched condition. It was made of pinewood and feature copper nails, giving this piece an understated, rustic look. The chair was entirely painted grey, including the nails. The main focus of van der Laan’s design was functionality and rationality, which is reflected in the openings on the sides and on the back that serves the purpose of joining multiple pieces together. This chair is a beautiful piece of Dutch design history. Although Dom van der Laan left a small body of work behind, his legacy is highly regarded in the world of architecture. The St. Benedictusberg Abbey in Vaals and its interior quickly became his masterpiece at the age of 53. Condition: In good vintage condition. Wear consistent with age and use. Item has some small marks and scratches. Dimensions: 21.2 in W x 20.8 in D x 37.4 in H 54 cm W x 53 cm D x 95 cm H About the designer: Dom Hans van der Laan (1904-1991) was the ninth of the eleven recorded children of Leiden architect Leo van der...

This set of chairs was originally designed by the Dutch Benedictine monk and architect, Dom Hans van der Laan for the Abbey Church of St. Benedictusberg located near the Dutch town of Vaals. These easy chairs are in an untouched condition. They are made of pine wood and feature copper nails, giving these pieces an understated, rustic look. The pair is entirely painted grey, including the nails. This specific colour was carefully selected by Whim van Hoof to resemble the original shade as closely as possible. The main focus of van der Laan’s design was functionality and rationality, which is reflected in the openings on the sides and on the backs serve the purpose of joining multiple pieces together, and lifting them. Van der Laan was a leading figure in the traditionalist movement, the Bossche School, that held these values as well. These characteristics make these chairs charming, while also being beautiful pieces of Dutch design history. Although Dom Hans van der Laan left a small body of work behind, his legacy is highly regarded in the world of architecture. The St. Benedictusberg Abbey in Vaals and its interior quickly became his masterpiece at the age of 53. This model is still found in the Dutch church named Sint Willibrorduskerk in Almelo, for which it was possibly designed for in 1964. Condition: In good vintage condition. Wear consistent with age and use. Some small marks and scratches. Dimensions: 25.59 in W, 26.77 in D, 35.43 in H; Seat Height 15.94 in 65 cm W, 68 cm D, 90 cm H; Seat Height 40.5 cm About the designer: Dom Hans van der Laan (1904-1991) was the ninth of the eleven recorded children of Leiden architect Leo van der...

This chair is full of exceptional features and details that make it a unique example of the creative overflow that defined mid-century modernism in Europe. The sculptural design is paired with the organicity of the material and various forms. While the design is no short of exceptional solutions, they are also in service of functionality and comfort. This is a chair of extreme comfort, with multiple joinery and construction techniques. It is a little lower than the standard lounge chair, and that is exactly what provides great ergonomics and aesthetics. The seat and back form an obtuse angle which assures the perfect lounging position. The removable cushions upholstered in brown cow hide add even more comfort, while the fabric’s texture stands out nicely against the smooth wooden surfaces. The flowing structure displays beautifully curved lines and rounded edges that are broken by the straight wooden slats on the back. The perfect balance between the fluid and straight lines is typical of Bas van Pelt’s seating designs. The subtle swirl carvings in the front are playful details that further show off the high level of design and craftsmanship. While the second half of the 20th century saw the takeover of mass production and many - now iconic - futuristic designs, this chair preserves the value and beauty of master craftsmanship and exquisite materials. Condition: In good vintage condition. Wear consistent with age and use. The chair’s cushions have been reupholstered recently in premium cow hide. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 25.19 in W x 313.46 in D x 31.49 in H; Seat height 15.35 in; Arm height 23.81 in 64 cm W x 85 cm D x 80 cm H; Seat height 39 cm; Arm height 60.5 cm About the designer: Bas Van Pelt (1900 Dordrecht (NL) - 1945 Sandbostel (DE)) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s and 1940s are regarded for their progressive design and quality. While he is most well-known for his chair designs, van Pelt was also active as an interior designer. He also designed fabrics for window...

This cosy mid-century lounge chair by Bengt Ruda is one of the designer’s rarest designs. The combination of the Swedish designer’s idea and the Dutch manufactury’s execution is exce...

This lovely Dutch ceiling or wall lamp is Raak’s model B-1052, better known as the “Chaparral”. Made of high quality glass with brass details, this model is a unique design that both...

Set of 2 storage baskets by Dirk van Sliedregt for Rohé, Netherlands, 1960s.

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Decorative bowl in the shape of a basket, produced in Poland in the 1960s. Very good condition Measures: Height 18.5 cm, width 20.5 cm, depth 14 cm.

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Elegant and timeless, this unique storage basket will be a precious companion to everyday life in any room of the house. Its body, shaped as a rectangul...