Hello Matisse Green Coral Centerpiece

This centerpiece is a striking example of modern aesthetic and traditional craftsmanship. It was designed in 2013 by Karim Rashid and crafted of mouth-blown Murano glass. It is part ...

OOO is a centerpiece composed of 3 elements, each of them has a surface worked to simulate an outscaled gear, evoking the possibility of moving each container around the others. The ...

A singular and precious piece in mouth-blown green Murano glass, this bowl results from the masterful following of traditional century-old techniques. The...

This exquisitely round basket is part of the Demetra collection and offers sturdy yet elegant storage for magazines, media, and more. This elegant piece is made entirely of handwoven...

Blue speckled with green cased in white with a white base. This works great on the dining table as a centerpiece Kitchen counter, entryway console for your keys. 1980’s, Italy. A 19...

Handmade ceramic art nouveau white and green decorative centerpiece bowl with soft shaped edges in the style of Arne Bang. Organic green leaf decorat...

This 1930s Art Deco French centerpiece made of metal and green glass has a wide, shallow metal bowl with a reflective finish, featuring a slightly f...

Extraordinary modernist item by Swedish Tilgmans Keramik. Fully glazed centerpiece or wall decoration depicting a green faced woman with long stemmed yellow and blue flowers on a striped dark blue background created with the sgraffito technique. Manufactured in 1957 by German/Swedish Paul Harald Tilgman in his workshop in a small town close to Gothenburg in Sweden. Blue patterned glaze on the sides and muted blue leaves on the milky white glazed base. Signed and dated on base. A rare and unique piece in beautiful condition! Sweden, 1957. About Tilgmans Keramik: Paul Harald “Harry” Tilgmann was born in Dresden, Germany in 1904 and emigrated to Sweden during WWII where he started Tilgmans Keramik (= Ceramics) in 1948 in the small town of Utbynäs close to Gothenburg. Tilgman had 16 employees working for him and when he hired the Polish refugee Marian Zawadzki (1912-1978) as artistic director in 1953, Tilgman Keramik started experimenting with the distinct sgraffito technique. The sgraffito technique consists of carving fine lines into the background of a design through a light coloured glaze down to a dark grey clay slip. This created a unique textured ground which has become a style associated with Tilgmans Keramik in particular. The decorative elements also appear to be outlined with a carved line and then hand painted with overglazes where birds, fish, flowers, butterflies and other animals were a common theme. This type of work was the most popular in Mid Century Sweden alongside Tilgmans small animal figurines...