André Fernand Thesmar Plique-à-Jour Enamel Gold "Petite Coupe Sur Talon" Bowl

A French Art Nouveau glass and wood footed bowl by Emile Galle´, featuring a multicolored pinched-sided glass bowl in yellow, purple, and green. The bowl sits atop a carved walnut fo...

A ravishing compromise between the Art Deco and Art Nouveau styles, this hexagonal pâte de verre vide poche by Amalric Walter and Henri Bergé features a strong architectural shape softened by a lush vortex of pastel colors. A flying fish with raised spine and rigid ribbing on its splayed fins swims languidly through a shallow pool of aqua ripples and speckled kelly green kelp, its body twisting into a serpentine "S," perfectly filling the space within the hexagonal form. Item #: P-20232 Artist: Amalric Walter, Henri Bergé Country: France Circa: 1920 Size: 1.25" height, 7.75" width, 7.25" depth Materials: glass Literature: A similar vide-poche is pictured in Amalric Walter (1870-1959), by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 44, cat. no. 66 The pâte de verre technique is an ancient form of kiln casting, used since the time of the Egyptians, and literally translates to "paste of glass...

A French "Crabe", pâte de verre vide-poche by Amalric Walter. The reddish-brown crab has spots of dark green, red and yellow on the top portion of its shell. It sits on a green wave ...

A French Art Nouveau pâte de verre vide-poche by Amalric Walter and Henri Bergé. This piece features a brown lobster resting on a blue-green shaped dish, circa 1900. A similar vid...

A French Art Nouveau silver and enamel vase by Eugène Feuillatre. The vase is decorated with leafed branches holding pink and gold cloisonné flowers ...

This Tiffany Studios New York covered box by Louis Comfort Tiffany, covered with an enamel "Olive" motif, was executed by the Enamelware Department of The Stonebridge Glass Company in New York. The stoic composition is primarily composed of richly enameled copper, with the cover and body of this rare piece sharing decoration of subtly-hued olives, with purple-brown copper branches and deep green leaves. While the rarity of the object itself makes it an incredibly collectible item, the easy beauty of the composition also makes it an instant treasure. Artist: Tiffany Studios New York Circa: 1905 Dimensions: 5.25" height, 6.5" diameter Materials: Repoussé copper, Enamel and counter enamel Signed: "Louis C. Tiffany and impressed SC 332" Provenance: Parke-Bernet Galleries Inc., New York, Private Collection, circa 1965, thence by descent to the present owners Literature: Box pictured in Behind the Scenes of Tiffany Glassmaking: The Nash Notebooks, by Martin Eidelberg and Nancy McClelland, New York, 2001, pp. 21 and 178 (for the model executed in pottery); Box also pictured in Louis C. Tiffany: The Garden Museum Collection, by Alastair Duncan, Woodbridge, Suffolk, 2004, p. 466 (for the model executed in pottery) and p. 471 (for the model executed in bronze pottery)

An antique Japanese Meiji era enamel bowl. The bowl is covered with polychrome enamel foliage and floral patterns made in the Plique a Jour technique. Mounted on three legs. Circa: e...

A small Chinese cloisonne enamel bowl made with the technique of Plique-a-jour (means "letting in daylight" in French), a challenging method similar to small scale stained windows...

French Lalique crystal footed bowl/coupe "Virginia" in clear and frosted surface with decor of peacock. Marked on the bottom.   

A small Chinese cloisonné enamel bowl made with the technique of Plique-a-jour (means "letting in daylight" in French), a challenging method similar to small scale stained windows or...

Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim compri...

Beautiful gold shining bright bowl by the well known Steuben glass Co.