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Bowl by Ewan Henderson, Great Britain, 1980s

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  • Dish, Anonymous, Sweden, 1980s, Stoneware
    Located in Stockholm, SE
    Dish, anonymous, Sweden. 1980s. Stoneware. Measurements: Height: 8 cm / 3 1/4" Diameter: 51 cm / 1' 8".    
    Category

    Mid-20th Century Swedish Mid-Century Modern Ceramics

    Materials

    Ceramic, Stoneware

  • Bowl Designed by Gertrud Båge, Sweden, 1980s
    By Gertrud Båge
    Located in Stockholm, SE
    Signed.
    Category

    Mid-20th Century Swedish Mid-Century Modern Ceramics

    Materials

    Stoneware

  • Bowl Designed by Wilhelm Kåge for Gustavsberg, Sweden, 1948
    By Wilhelm Kage
    Located in Stockholm, SE
    Bowl designed by Wilhelm Kåge for Gustavsberg, Sweden. 1948. Stoneware. Unique. Signed. Measurements: Height: 10.5 cm / 4" Diameter: 14.5 cm / 6".
    Category

    Mid-20th Century Swedish Mid-Century Modern Decorative Bowls

    Materials

    Stoneware

  • Bowl by Per Hammarström, Signed, Sweden, 1980s / 1990s
    By Per Hammarström
    Located in Stockholm, SE
    Bowl by Per Hammarström, Sweden, 1980s / 1990s. Stoneware. Signed “Per.H” Measurements: H: 17.9 cm / 7" W: 25.3 cm / 10". Per Hammarström is one of Sweden’s most highly regarded ceramicists. Per’s work doesn’t conform to the Swedish style of simplicity; instead he loves colour and texture, and exploring the multi-faceted function of ceramics. Per began his training at the Gustavsbergs Porcelain Studio in 1978, which is sadly no longer in existence. In 1984 he opened his own studio in Strängnäs, and has worked in this manner ever since. Per’s work is characterised by organic forms and his own distinctive glazes, often in bright colours and strong contrasts. His work is unique, each piece starting out as a roughly thrown form, which is worked and transformed into bowls that are characterised by their delicacy and translucency. The organic form is embodied in the textured ceramics of Per. His works are either made from stoneware or porcelain. The inspiration of much of his work is the sea, but he also draws from flora and fauna; and the changing of the seasons. The undulating colours of the sea, sky and land manifest themselves in his delicately crafted and vividly coloured ceramics. Through elaborate dining-ware and ceramic ornaments...
    Category

    Late 20th Century Swedish Mid-Century Modern Ceramics

    Materials

    Ceramic

  • Dish Designed by Carl-Harry Stålhane for Rörstrand, Sweden, 1950s
    By Carl-Harry Stålhane
    Located in Stockholm, SE
    Dish designed by Carl-Harry Stålhane for Rörstrand, Sweden. 1950s. Stoneware. Measures: Height: 3.2 cm / 1 1/4" Diameter: 18.5 cm / 7 1/4".
    Category

    Mid-20th Century Swedish Mid-Century Modern Decorative Dishes and Vide-P...

    Materials

    Ceramic, Stoneware

  • Dish Designed by Carl-Harry Stålhane for Rörstrand, Sweden, 1960s
    By Carl-Harry Stålhane
    Located in Stockholm, SE
    Dish designed by Carl-Harry Stålhane for Rörstrand, Sweden. 1960s. Stoneware. Signed. Measurements: H: 6 cm / 2 1/4" Diameter: 18.5 cm / 7 1/4". Carl-Harry Stålhane (1920-1990) was born in the town of Mariestad, in the west of Sweden. As a child, he dreamed of being a successful painter. He started working for Rorstrand in neighboring Lidkoping at the age of 18. Initially, he decorated ceramic wares as assistant for the leading artist Gunnar Nylund. Carl-Harry decorated Rorstrand’s exclusive Flambé range as well as producing idyllic floral designs. In the mid 1940s, Carl-Harry Stålhane began to develop his own stoneware. He had his first solo exhibition in 1948, impressing the public with an ability to work in most contemporary styles of stoneware. But after studying in Paris in the late 1940s, Carl-Harry found a style that was truly his own. Inspired by the hunger for new products to meet the post-war economic boom, he developed from being a gifted decorator to a first-rate ceramic artist. He was praised for his "column-like, slender-necked stoneware vases with their peach surfaces", as one magazine put it. Spurred on by a deep love of the ceramic wares of the Far East, Carl-Harry liberated himself from the European tradition of ceramics, finding inspiration in foreign cultures, in Picasso and in constructivist art. The 1950s brought major successes: a diploma and a gold medal at Milan Triennials as well as solo exhibitions in Sweden, the UK and the USA. Carl-Harry commenced his career as an industrial designer in 1954. His Blanca tableware — in elegant white porcelain — was much in demand and gained him international prizes. He designed almost everything from numerous table sets decorations to rustic ashtrays. Carl-Harry Stålhane’s production of unique ceramic works of art increased notably in the late 1950s. In 1960 he reached something of a peak with an exhibition at Galerie Blanche in Stockholm. The exhibition showed robustly dark wares that were hailed as the new ceramics...
    Category

    Mid-20th Century Swedish Mid-Century Modern Ceramics

    Materials

    Stoneware

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