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Gold Bronze and Marble Tazza by Barbedienne Attributed to Louis Constant Sevine

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    Located in Brighton, West Sussex
    A Neo-Grec gilt and patinated bronze Tazza, designed by Ferdinand Levillain and cast by Ferdinand Barbedienne. Marked 'F. Levillain' to the decoration and stamped 'F. Barbedienne' to the underside. This rare tazza is a fine example of the collaboration between the gifted designer Ferdinand Levillain and the highly acclaimed bronzier Ferdinand Barbedienne. It is decorated with a bas-relief in the 'Neo-Grec' or ‘Pompeian’ style with classical figures herding animals...
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  • Gilt and Patinated Bronze Ewer on Stand, Attributed to Barbedienne
    By Ferdinand Barbedienne
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    The exceptional bronze casting, in stunningly intricate detail, on this beautiful sculptural piece has been attributed to master metalworker Ferdinand Barbedienne. The piece takes th...
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    Antique Late 19th Century French Neoclassical Mounted Objects

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  • F. Barbedienne, 19th Century French Gilt Bronze and Cloisonnè Enamel Tazza Cup
    By Ferdinand Barbedienne
    Located in Firenze, IT
    This French 19th Century antique lovely bronze and cloisonnè enamel tazza or cup with handles is an artwork made by Ferdinand Barbedienne (1810–1892). This Napoleon III period little...
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    Antique 19th Century French Napoleon III Decorative Bowls

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  • 19th Century Bronze Tazza by Barbedienne
    By F. Barbedienne Foundry, Ferdinand Levillain
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    A good 19th century Italian bronze neo-greque footed Tazza with scrolled handles and arge, round centrepiece, in the centre with a round relief medallion with an antique classical sc...
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  • George III Marble and Blue John Dolphin Tazza
    By Sir William Chambers
    Located in New Orleans, LA
    This important George III tazza is attributed to famed Scottish-Swedish architect Sir William Chambers. The magnificent piece features a base carved from statuary marble in the shape of a stylized dolphin, which relates to Chambers' extraordinary 18th-century architectural designs. A marvel of beauty and craftsmanship, the tazza is also inset with specimens of Derbyshire Blue John in both the plinth and bowl. Blue John is one of the most in-demand decorative stones in the world, and its inclusion in this piece elevates the tazza to a true Georgian masterpiece. Due to its popularity, the largest veins of Blue John had disappeared by the early 19th century, and only a small amount of the stone remains today. Because of its scarcity, most examples of Blue John furniture feature only small inset veneers. By contrast, this rare tazza features not one, but two substantial specimens of the stone. It represents some of the last ornamental wares created of such grand size and proportion, though other smaller examples still grace the stately British estates of Chatsworth, Hardwick, Kedleston and Haddon, among others. Not only does this tazza boast a highly rare material, but it was also designed by one of the most important architects and designers of the Georgian era. Sir William Chambers was a Scottish-Swedish architect based in London who was active during the reigns of Kings George II and George III. Celebrated for his combination of English Palladianism...
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    Antique 18th Century English George III Animal Sculptures

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  • Antique Gilt Bronze Mantel Clock by Sevin and Barbedienne
    By Ferdinand Barbedienne, Louis-Constant Sevin
    Located in London, GB
    This ormolu clock is an exemplary work by the famous French 19th century metalworker and foundry-owner, Ferdiand Barbedienne. Working with a design made by the acclaimed onamentalist, Louis-Constant...
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    Antique Late 19th Century French Neoclassical Mantel Clocks

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