Joseph Morel for Zellique Pulled Feather Bowl, American Studio Art Glass, 1988

Vintage glass bowl in biomorphic shape was created by Rick and Janet Nickolson in 1992; it features a pair of abstract patterns in pink, cream, and white glass fused on thin, almost transparent green glass background. The green color deepens around the heavier base, creating a contrast with the light, ethereal body of the bowl. The bowl is signed and dated on the base near the bottom. Rick and Janet Nicholson of Nicholson Blown Glass Studio have worked together as a successful team since 1979. Rick first studied glass with Don Hartman and the University of Southern California and was a TA at Pilchuck Glass School for Dale Chihuly and Fritz Dreisbach in 1981; he continued to study with such notables as Therman Statom...

Sculptural, heavy Mid Century Modern dark green glass decorative bowl or ashtray was created by Carl Erickson for Erickson Glass Works. The bowl is decorated with controlled bubbles that are radiating from its center; four symmetrically placed indentations can serve as cigarette rests. The pontil is ground. The bowl is in good vintage condition with some age-appropriate signs of wear on the bottom. It is unsigned, as vast majority of Ericson piece were, and is missing its sticker, but can be clearly identified by multiple printed and online catalogues and other resources. Carl Erickson (1899-1966) worked at Pairpoint Manufacturing Company, joining his father as an apprentice and spending the next 20 years developing a high level of craftsmanship, including precision use of controlled bubbles, a technique often associated with Pairpoint, that was widely used by Erickson in his own glass designs. In the early 1930s he was employed by Libbey Glass and from 1937 - by the Blenko Glass Company. After leaving Blenko, Carl founded his own art glass studio in Bremen, Ohio in 1943. Erickson glass was hand blown, so no two pieces could be identical. Erickson made reproductions for a number of museums, including the Smithsonian Institution of Washington, D.C., Old Sturbridge Museum, Metropolitan Museum of Art, Corning Museum of Glass, and the Ohio State Historical Society Museum. Many of his glass creations have been selected for display at several distinguished museums, and in 1953 a traveling display...

Vintage footed art glass tray features colorful Op-art fused glass design with purple, marigold yellow, forest green, and teal blue colored glass elements seamlessly fused in rectan...

Vintage hand-thrown bowl features complex Crater glaze in off-white and espresso brown colors. Minimal color palette and streamlined shape of the piece allow the textured glaze with variations from semi-matte to high gloss to take the spotlight; asymmetrical biomorphic shape adds hand-crafted, Organic Modern mood to the bowl's design. The bowl is signed on the bottom with "Pigeon Forge Pottery Tenn". The Crater glaze has become one of the most recognizable glazes made by the Pigeon Forge Pottery. Often commonly referred to as "Volcanic" or "Lava" glaze, the Crater glaze was developed and made in several colors. We are offering a vase and 4 more bowls in different shapes by Douglas Ferguson, done in variations of Crater glazes, in separate listings. Douglas Ferguson (1912-1999) was an established Tennessee pottery artist; he received a degree in Art Design Studies from Mars Hill College and worked in the Ceramic Research Laboratory for the Tennessee Valley Authority in Norris, TN, from 1935 to 1947, where he experimented with local clays. In 1946 he started Pigeon Forge Pottery in an old tobacco barn with his wife Ruth and Ernest Wilson, his colleague at the Ceramic Research Laboratory. He formulated many of his own glazes, including crystalline and Crater glaze. In 1957 he created the Clingman Dome tea set, named by Ferguson for the highest peak in the Great Smoky Mountains, which the state of Tennessee presented to Queen Elizabeth. Ferguson became a member of the Southern Highland Craft Guild in 1948 and remained active until 1998, receiving Life Membership in 1991. He earned two awards from the Tennessee Arts and Crafts Festival in Nashville, received the Rotary Certificate of Distinguished Service, and was featured in books on Appalachian craftspeople by Bernice Stevens, Edward Dupuy and Helen Bullard. In the fall of 1952, Ferguson attended a ceramics symposium by international artists at Black Mountain College; in 1963 he participated in the American Craft Council and the Ceramic National exhibitions. In the 1970s - 80s Ferguson created a fountain with traditional Appalachian quilting...

Beautiful vintage Murano hand blown pink pulled feather and gold leaf Italian art glass leaf shaped decorative bowl. Created in the "Fenicio" design, in a be...

1988 Dramatically Sharp Modern glass art bowl John Seitz Pyramid Triangle Art Form Measures: Large 4.38 tall x 11.78 each side Smaller 3.25 tall x 9.5 ...

An American multi colored mid century art glass bowl. Original sticker of the bottom. Circa 1970s.

This elegant, hand blown glass vase was crafted in France, circa 1950. The large vintage piece features a pulled feathered technique with an intricate elongated design. The large tra...