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Paul Revere Style Sterling Silver Blue Enamel Bowl by Towle Silversmiths no. 523

Price:$925

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Sterling Silver Match Safe Gadget Cane on Ebony Walking Stick by David Bowles
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STERLING SILVER MATCH SAFE GADGET CANE David A. Bowles, London Circa late 20th century 35 7/8" H x 2 1/2" W (handle) An unusual and functional gadget cane in the form of a finely m...
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VERY FINE PAIR OF ENGLISH SILVERPLATED COBALT GLASS CHESTNUT URNS Marked for Barker-Ellis of Birmingham, England made circa 1912-1931 with maker's mark to underside [seven-branch menorah], signed "England" and impressed "8" along with silversmith's scratched notations Item # 312DPP11Z An exceedingly fine pair of chestnut or candy urns by the renowned silversmithing firm Barker-Ellis of Birmingham, England, the menorah marker's mark was reportedly used by Barker-Ellis starting in 1912 and continued to be in use by the firm through 1931 [see the Smithsonian Museum of American History, acc. no. 1988.0569.07 for a tray of the same marking and documented dates of use]. The present version of the menorah mark is an earlier version of the marking and probably places the pair of urns to circa 1920. The urns feature a carved pineapple finial with exquisitely chiseled and chased leaves over a coved lid, this lifting off to reveal a spacious interior with removable hand-blown cobalt glass...
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An exquisite and rare example of Paul Philippe's Mischievous finished in a brilliant polychromed gilt, the young woman grabs her reddish-brown hair in hand while looking off into the corner with a sly look in her eyes that suggests she holds a secret that we will never know. The base signature is captured directly from the mold. Situated over its original faceted base. A very fine work. ARTIST Born in Thorn in Poland in 1870, Paul Philippe studied under Antonin Larroux at the École des Beaux-Arts after moving to Paris, France around 1900. He exhibited extensively at all of the major French salons and developed his own voice in sculpture by focusing his ouevre around the movement of the female body, often depicting exotic models in highly theatrical poses with a loose adherence to realism in his idealized visions. He walked a fine line between Art Nouveau and Art Deco while his figures do tend towards the latter. He executed figures in bronze and chryselephantine and worked with some of the best foundries in France and Germany. Many examples of his work are held in the Art Deco Museum in Moscow, Russia. Artist Listings...
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