Bow Botanical Plate, Hans Sloane Style, England Mid-18th Century Circa 1760

The wares of the Chelsea red anchor period (1752-1758), when this dish was made, are generally thought to be the finest work produced by the factory...

The New Hall China Manufactory made this pair of late 18th-century blue and white gilded dishes in Stoke-On-Trent, England, circa 1790. On the border, the deep blue has exceptional ...

This Delft blue and white dish was hand-painted in England in the 18th century circa 1760. The painting is quite naive but eye-catching. In the center, we see a large blue ground before three homes, each with a chimney. To the left, we see a large peony, and to the right, a pine tree. The wide border shows six flower buds on the vine, and along the edge are scrolling vines. Dimensions: 9.25" diameter Condition: Excellent Price: $560 Background of English Delft: The art of making Delft began in England in the Mid-1500s. An English delftware jug has been found in East Malling, Kent, with a silver mount hallmarked 1550, which is presumed to be the earliest date of English delftware manufacture. John Stow's Survey of London (1598) records the arrival in 1567 of two Antwerp potters, Jasper Andries and Jacob Jansen...

Made by Clignancourt Porcelain**, a factory with royal patronage in France in the 18th century, this set of dishes is painted in the most exquisite raspberry color, decorated with go...

The first popular use of the heart shape as a symbol of love is often attributed to the importance of courtly romance in late-medieval life. At a time when chivalrous knights and damsels in distress made for romantic tales, tokens of love were deeply significant and very popular This creamware heart-shaped dish...

We are pleased to offer this extraordinary Dagoty porcelain plate showing children playing. The happy children are joined by their dog in a scene painted in grisaille. On this plate, the border of deep cobalt blue is lavishly gilded in a dramatic geometric pattern. As we see here, burnished gilt was another hallmark of Dagoty porcelains. The formal border juxtaposes the informal scene of the children at play with the geometric design. This type of contrast is typically French, and only the French made porcelains with this particular type of sophisticated contrast. Romanticism had a strong influence on the Dagoty porcelains of the last decade of the 18th century. Anecdotal scenes, indoor scenes, and scenes showing children's games replaced neoclassical subjects. The new themes were more human and had a much less rigid atmosphere. Condition: Excellent Diameter: 8 inches Price: $420 Background: The Paris retail shop was on the Boulevard Montmartre. The Dagoty factory made hard paste porcelain. The factory was in the Rue de Chevreuse, Paris, leased for nine years in 1800 by brothers Pierre-Louis (1771-1840) and Etienne-Jean-Baptiste Dagoty (1772-1800). Pierre-Louis became sole owner in 1804, and in 1807 the lease was renewed for a further nine years. The factory was under the protection of the Empress Josephine and supplied porcelain for Versailles. In 1816, Dagoty went into partnership with Edouard Honoré...

Circular plate, the well outlined and transfer printed in black/brown outline and filled-in with 'wet' enamels all with Chinese figures in a garden and a child playing with an excite...

A fine octagonal plate painted in the botanical style; possibly the yellow gloriosa climbing lily. Provenance: Taylor Collection; Robyn Robb 2003. Filled edge chips.  

A pierced basket standing on a well-formed rococo base. Perhaps for potpourri, although the internal decoration suggests another use. We think probably oranges, chestnuts, etc. Pr...

Three-tiered stand for sweetmeats, in the form of shells and coral, and enameled with flowers; it is rare to find these in such good condition. Probably from a large dessert service. These stands were popular in the Georgian period and were made by most of the porcelain factories. Many were modelled by a man named Tebo, who went from factory to factory creating these stands. He appears to have used real shells...

A fine German porcelain openwork or reticulated basket. By the Ludwigsburg Porcelain Manufactory. With pierced sides of interlocking circular...

An octagonal soup-plate, decorated in the Hans Sloane style with morning glory, or convolvulus, to give its proper name.