Decorative Round Ceramic Traditional Portuguese Style Platter

This dazzling antique Japanese export porcelain platter showcases masterful artistry with a richly layered moriage enamel glaze, gilt accents, and a scalloped edge. Adorned with intr...

A small metal toleware serving tray with a hand-painted floral motif in the center. A pretty round drinks tray that will be a fabulous addition to your current barware collection. Pa...

A cream dinner plate by Johnson Brothers England. This plate is decorated with a pink, brown, green, and blue chinoiserie design at the center and a greek key design around the edges...

A colorful jewel toned polychrome majolica platter decorated with various embossed fruits such as peaches, grapes, tomatoes, pears and various green foliage. It has been hand painted...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese...

Spanish Faience charger with floral motifs. Talavera de la Reina-Puente del Arzobispo, Toledo. Spain, late 17th century. Hand painted in ochre, yellow, brown and blue with a central...

Nice, rare and beautiful colors in enamel in, Floral design, second half 18th century or beginning 19th century. These wares and their specific characteristics of wild colour and th...

Dish in Portuguese Estatuária faience from Coimbra. Polychrome decoration with a colourful floral pattern inspired by traditional handmade ceramics. The dish has a white background w...