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Vallauris France, Chocolate, Cherry and Honeycomb Palette Lava Splash Bowl
$158.46
£116
€136.38
CA$217.34
A$244.28
CHF 127.21
MX$2,971.01
NOK 1,627.85
SEK 1,543.68
DKK 1,017.86
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About the Item
This beautifully undulating work of mid-century design is from Vallauris, France. Artistic ceramics began to emerge from Vallauris from the end of the 19th century and was elevated further by the arrival of Picasso from 1948. The form of this particular piece is stylised, with the closest glass counterpart being the Splash bowl, examples of which have been made iconic by Murano. However, unlike a glass Splash bowl which mimics thinner liquids, this work more closely mimics melted chocolate. There are four crests to the 'splash', rising from the broadly rectangular form. The base glaze is a rich, smooth and glossy Milk Chocolate brown. Overlaid onto the base glaze is a interspersing and running glaze in tones of Cherry Red, Vanilla cream and varying tones of brown in Honeycomb, Fudge and Caramel.
The majestic size with the subtly striking palette makes this piece suitable for standalone display or for functional use as a table centrepiece.
Condition
Excellent. There are no chips, cracks or repairs. There is mild surface wear and movement marks on the underside of the base that is commensurable with the age of the piece. Please see photographs as they form part of the condition report. The underside of the vase bears the 'Vallauris' inscription.
Measurement
height: c. 4.4" / 11.2 cm. Rim measurements: c. 12.2" / 31 cm x c. 8.3" / 21 cm (across longest/widest points). Depth: c. 2" / 5 cm. Base measurements: c. 7.2" / 18.3 cm x c. 2.8" / 7 cm.
A bit of history
Vallauris Pottery Ceramics have always been part of the Vallauris region, however, artistic ceramics began to emerge from Vallauris from the end of the 19th century notably thanks to the Massier family. Other famous names include Delphin and Jérôme introduced coloured enamels and metallic pigments into their ceramics. The region's reputation was elevated further by the arrival of Picasso from 1948.
- Creator:Vallauris (Maker)
- Dimensions:Height: 4.4 in (11.18 cm)Width: 8.3 in (21.09 cm)Depth: 12.2 in (30.99 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1950s-1970s
- Condition:Wear consistent with age and use.
- Seller Location:Frome, GB
- Reference Number:1stDibs: LU6310227537602
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IMPORTANT INFORMATION FOLLOWS; PLEASE READ THE BELOW IN ITS ENTIRETY.
ABOUT OUR LISTINGS:
-Most vintage Murano glass is unsigned and unlabeled (see more about this topic below, under the "about vintage Murano glass" section). We identify items as best we can based on our research and experience, but without signature, identifying label, or other documentation, it is ultimately not possible to guarantee an item is from Murano or is by a specific Murano glass maestro. By purchasing from our shop, you are agreeing to accept this fact. If you are uncomfortable with this policy, we ask that you purchase only items that have their original label, artist signature, or other documentation.
-Measurements are approximate and generally represent the approximate widest/longest/highest areas of each item.
-Please be aware that the color on your monitor and/or in your environment may look somewhat different than in ours and that glass colors often look deeper on dark backgrounds than they do on light backgrounds.
-Please keep in mind that vintage glass usually will show evidence of previous ownership, such as scuffing, scratching, and/or other wear such as dulling or mars on base, etc.. Buyers of vintage glass are presumed to understand and accept such hints of previous ownership. We cannot realistically guarantee perfection since vintage glass has typically been used at some point in the past. We do however inspect for and describe flaws found.
ABOUT VINTAGE MURANO GLASS:
-"Murano" is not a brand. It is the name of the Italian island where the most celebrated master glassblowers create(d) their works.
-Vintage Murano glass items may be heavy or light, thick or thin, substantial or petite, etc. Thickness and thinness of glass will tend to vary on some items, especially sculptural items.
-Sometimes, small inclusions may be found in or on Murano glass, such as ash or tiny bubbles from the blowing process or tiny raised or pitted areas. These are not considered "damage" but naturally occurring. Nevertheless we point them out if found.
-While on occasion a vintage Murano glass item will bear the signature of its creator or have an original label affixed, this is relatively rare; most vintage Murano glass available to the general public is unsigned / unlabeled, especially in the more affordable price ranges.
-The bases of Murano glass items are often polished, but not always; the glassblower may have decided not to grind a pontil mark down or highly polish a base if there seemed a risk that doing so could cause damage to the item.
-A pontil mark on a Murano glass piece may be visible or not, and may be smooth, rough, raised, indented, or some combination of these. Some finer, more delicate Murano glass items may have a rough pontil mark that may also be either raised or indented, with the rest of the base not.
--However, an unpolished base that is also entirely, extremely foggy and rough (as if the entire bottom were grinded with very course sandpaper or metal) is generally considered indicative of a non-Murano work.
ABOUT THE TERMS WE USE:
"Suspected" means just that -- we suspect the item is by the named artist / from the named region due to its similarities to other items from that artist / region, and sometimes also by the lack of the item's characteristics appearing in other artists' works, but we are not certain.
"Assumed" or "likely" means we feel pretty confident it is by the named artist / from the named region but have not found sufficient documentation to confirm it, so while we believe it to be as stated, we are not absolutely certain.
"In the style of" means that based on characteristics, we believe it could be by the named artist / from the named region but we could not find sufficient enough evidence to feel comfortable declaring that definitively. In such cases the item could also be by another glassblower (from Murano or otherwise) who was inspired by the named artist.
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