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French Art Deco Pâte-de-Verre Covered Bowl by Walter

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  • Art Nouveau "Crabe" Vide-Poche by Amalric Walter
    By Amalric Walter
    Located in New York, NY
    A French "Crabe", pâte de verre vide-poche by Amalric Walter. The reddish-brown crab has spots of dark green, red and yellow on the top portion of its shell. It sits on a green wave ...
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    Vintage 1920s French Art Nouveau Decorative Dishes and Vide-Poche

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  • French Pâte de Verre Vase by Argy-Rousseau
    By Gabriel Argy-Rousseau
    Located in New York, NY
    A French ‘Ecureuils dans l’Herbe” pâte de verre vase by Gabriel Argy-Rousseau. Nature, notably flowers and insects, held an important place among the themes developed by Argy-Rousse...
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  • "Langouste" Pâte De Verre Vide-Poche by Walter and Bergé
    By Henri Bergé and Amalric Walter
    Located in New York, NY
    A French Art Nouveau pâte de verre vide-poche by Amalric Walter and Henri Bergé. This piece features a brown lobster resting on a blue-green shaped dish, circa 1900. A similar vid...
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    Antique Early 1900s French Art Nouveau Decorative Dishes and Vide-Poche

  • Amalric Walter and Henri Bergé "Flying Fish" Pâte de Verre Vide-Poche Glass Dish
    By Henri Bergé and Amalric Walter
    Located in New York, NY
    A ravishing compromise between the Art Deco and Art Nouveau styles, this hexagonal pâte de verre vide poche by Amalric Walter and Henri Bergé features a strong architectural shape softened by a lush vortex of pastel colors. A flying fish with raised spine and rigid ribbing on its splayed fins swims languidly through a shallow pool of aqua ripples and speckled kelly green kelp, its body twisting into a serpentine "S," perfectly filling the space within the hexagonal form. Item #: P-20232 Artist: Amalric Walter, Henri Bergé Country: France Circa: 1920 Size: 1.25" height, 7.75" width, 7.25" depth Materials: glass Literature: A similar vide-poche is pictured in Amalric Walter (1870-1959), by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 44, cat. no. 66 The pâte de verre technique is an ancient form of kiln casting, used since the time of the Egyptians, and literally translates to "paste of glass...
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  • "Langouste" Pâte de Verre Paperweight by Walter and Bergé.
    Located in New York, NY
    A French "Langouste", pâte de verre paperweight by Amalric Walter and Henri Bergé. The brown crayfish with red spots straddles a green and yellow curved base. Circa 1920. A simil...
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  • Emile Gallé French Art Nouveau Glass and Wood Footed Bowl
    By Emile Gallé
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    A French Art Nouveau glass and wood footed bowl by Emile Galle´, featuring a multicolored pinched-sided glass bowl in yellow, purple, and green. The bowl sits atop a carved walnut fo...
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  • Art Deco Copper bowl Walter Von Nessen Studio
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  • French Art Deco Glass Bowl
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  • Art Nouveau Pâte De Verre Vide-Poche 'Deux Poissons', Amalric Walter, France
    By Amalric Walter
    Located in Vienna, AT
    Decorative pâte-de-verre vide-poche: bowl in yolk yellow, one side overflowing in dark blue, swimming around each other, plastically formed goldfish couple. Signed 'AWALTER NANCY' on the top. Manufactory: Amalric Walter, Nancy, Lorraine, France Dating of manufacture: circa 1920/1925 Designer: VICTOR AMALRIC WALTER (1870-1959) was a French glass manufacturer mainly known for his pâte de verre pieces. In the Cristalleries Daum at Nancy, France, he met the designer and modelist HENRI BERGÉ, with whom he produced the first pâtes de verre, which at the time were only signed with "Daum Nancy". After the war he continued to work with Henri Bergé. From 1919 to 1935 he cast no fewer than 500 models with Bergé and other famous sculptors or designers, always in few numbers due to the sophisticated technique of glass kiln casting. Technique: Pâte de verre (English glass paste) is a technique used in the production of multi-colored glass. A cold-formed paste made of glass powder and dyes is filled into a refractory mold and then fired in a muffle furnace, whereby the glass melts into the desired shape. To achieve polychrome color effects, the process is repeated with other colors. The technique was already known in ancient Rome and Egypt. Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros...
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  • Pate-De-Verre Bowl by Argy Rousseau, circa 1900
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