Damascened Toledo Miniature Renaissance Cassone Attributed to Plácido Zuloaga

An unusual and rare Charles X tole counter box containing gaming pieces and the rules for Boston Russe. It is decorated throughout with romantic transfer v...

Bohemia, circa 1870. ​This exceptional 19th century antique casket originates from Carlsbad, a spa town in the west Bohemia region of the Czech Republic. The town is officially known as Karlovy Vary and gained fame as a destination during the 19th century. Its piping hot springs drew tourists from across Europe to 'take the waters' and their health benefits. The highly figured stones used on this exceptional box were locally sourced and are specific to the hot mineral rich springs of Carlsbad. Close inspection will reveal layer on layer of fine mineral...

A Regency tooled leather work desktop secretaire cabinet, the hinged lid enclosing a partitioned compartment, the moulded doors enclosing four drawers with faux book spine fronts, th...

Mount Fuji decorates the cupboard door taking centre stage on a background of gold On this casket, a village can be seen in the valley which is most likely the Oshino Village T...

A late Victorian oak smoker’s companion in the form of a horse drawn delivery van, 1897, a hinged lid encloses two compartments, with a pipe rack and...

A rare mid 19th century carved ebony workbox, profusely carved with foliage and floral details on all sides, the lid opening to an inlaid bone elephant fitted interior with a removab...

Placido Zuloaga, an extremely rare Spanish gold and silver damascened window frame, circa 1880. The interior is lined and fitted with an orientalist artwork throughout. Signed PZ on the reverse. Placido Zuloaga was a renowned Spanish metalworker and damascene artist known for his exceptional skills in working with gold and silver and for creating intricate and ornate designs on metal surfaces using a technique called damascening. One of Zuloaga's works is this rare gold and silver damascened frame that he created in the late 19th century. The frame is decorated with intricate designs in silver and gold, creating a stunning contrast that is characteristic of Zuloaga's work. The frame is a remarkable example of Zuloaga's artistry and skill, as well as his mastery of the damascening technique. The technique involves inlaying silver or gold wire into the surface of the metal, creating intricate and detailed designs that are both beautiful and durable. Zuloaga's work was highly sought after during his lifetime and is still highly valued today. His pieces are considered to be some of the finest examples of damascene artistry in the world, and his legacy continues to inspire and influence metalworkers and artists today. His works are in private collections and in museums worldwide. Comparative Literature: James D. Lavin, The Art and Tradition of the Zuloagas, Spanish Damascene...

Our gold damascened Renaissance Revival jewelry chest by Antonio Cortelazzo (1819-1903) was commissioned by the English lawyer and antiquarian, Sir William Drake (1817-1890) and exhibited by the artist at the 1872 International Exhibition in London. It features a pair of dragons supporting the arms of Drake plus repoussé trophies and gold-ground scrollwork, raised on scroll and mask feet.  The lid is signed CORTELAZZO VICENZA FECIT 1870. With original descriptions written in ink on paper. The first reads "Steel Casket damascened gold and ornamented with 4 plaques of repousse work by Cortelazzo of Vincenza. Coll: Sir W R Drake S.L.A." where the initials refer to the Society of Antiquaries of London. The second similarly reads "Casket of Steel damascened with gold and ornamented with four plaques of silver repousse work. By Cortelazzo of Vincenza. Lent by Sir William Drake." Exhibition: International Exhibition of 1872, London. Provenance: The Collection of Sir William Drake, F.S.A., Christie's, London, June 30, 1891, lot 602, 33 GBP. The Collection of M.F. Adie Esq., purchased circa 1950 from H.W. Keil Ltd, Broadway, Worcestershire, England. Literature: The Official Catalogue, Fine Arts Department London, International Exhibition of 1872, London, J.M. Johnson & Sons, Victoria and Albert Museum. (See images here in our listing.) The Art Journal, London, 1872, p 2. Nineteenth Century Silver, J. Culme, London, 1977, p 17. The Layards, Cortelazzo and Castellani: New Information from the Diaries of Lady Layard, Jewellery Studies I, J. Rudoe, 1983, p 86. A Renaissance-Revival Masterpiece by Antonio Cortelazzo, B. Shifman, Cleveland Studies in the History of Art, vol 8, p 103. In 1872 The Art Journal Catalogue wrote "Among the art gems of the present exhibition are to be found the productions from the hand of Antonio Cortelazzo of Vicenza, now as well known in England for his skill as a metalworker as he is appreciated among his fellow workers in his native italy by whom he is recognized as Facile Princeps in the art. In the mechanical skill with which he inlays metal upon metal he has his rivals; but in the combination of that process with purity of design and artistic fancy of ornament which distinguishes all his works, he stands unrivalled. The 'Coffre' is in intarsia of gold and silver (partly flat and in other parts relief) on steel. It is one of numerous specimens of Cortelazzo's work which are to be found in the collection of Sir William Drake, one of the principal English patrons of the artist whose genius is now fully appreciated. Drake was a wealthy lawyer and collector of contemporary as well as renaissance and baroque works of art. A client of the connoisseur and dealer William Blundell Spence, Sir William acquired works by leading artists of the period including the Florentine sculptor and wood carver, Luigi Frullini (1839-1897), English art potters, the Martin brothers, and the celebrated goldsmith and damascener, Placido Zuloaga...

Rare and fine quality 19th century Italian Renaissance walnut carved miniature blanket chest or coffer. Fine carving in walnut wood on the fron...

Carved overall with arabesques and scrolls, the lid centering a crowned armorial. César Bagard was born in Nancy in 1620. Most of the work known to have been carved by him was comp...

Finely carved overall with arabesques, birds and scrolls, the top centered by a cartouche. César Bagard was born in Nancy in 1620. Most of the work known to have been carved by him ...

This piece is an Egyptian Revival Damascene decorative case featuring a gold plate finish with Egyptian hieroglyphics along the lid and sides with hand etched detailing, made circa 1...