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Ivory and Blue Chevron Bone Inlay Trinket Box
About the Item
Ivory and blue chevron decorative trinket rectangular lidded box inlaid with white bone and resin on wood.
Large stylish Moorish trinket lidded box with bone and wood inlaid handcrafted in India by skilled artisans.
An ivory color and cobalt blue decorative bone and resin box featuring contrasting stripe details.
This jewelry box is entirely made by hand and is exquisitely handcrafted by skilled artisans in India.
The process starts with building a wooden base for the box.
Chips of bone, ethically sourced as a by-product, are carefully cut into delicate shapes by the local artisans.
These chips are then affixed in various intricate patterns onto the resin, all by hand.
The box is finally waxed and polished to bring out the detailed textures and beauty of the inlay work.
This beautiful bone inlay box is done in a chevron pattern that adds an artful Modern touch to a shelf or table.
Large bone box featuring ivory and blue chevron detail on mango wood, the interior is lined with a black velvet fabric.
Dimensions: 10" x 6" x 2 1/2".
Hand made in Rajasthan India, circa 1990s.
- Dimensions:Height: 2.5 in (6.35 cm)Width: 10 in (25.4 cm)Depth: 6 in (15.24 cm)
- Style:Anglo Raj (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1990
- Condition:Wear consistent with age and use.
- Seller Location:North Hollywood, CA
- Reference Number:Seller: BB1241stDibs: LU906837786922
About the Seller
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- ShippingRetrieving quote...Shipping from: North Hollywood, CA
- Return Policy
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History of the Anglo-Indian Boxes
Beginning in the early part of the 18th century, Indian artisans made what came to be known as Anglo-Indian boxes for the English residents living in India, who eventually brought or sent them back to England. At the beginning of the 19th century, India began exporting these boxes commercially, although not in any significant numbers until the 1850s. People valued them so highly that manufacturers of tins copied the designs on them in the late 19th and early 20th century.
Anglo-Indian boxes fall into four groups: Rosewood or ebony boxes inlaid;
sandalwood boxes veneered; sandalwood boxes covered with Sadeli mosaic; and carved boxes often combined with Sadeli mosaic/
The first two categories came from Vizagapatam in East India while the last two came from Bombay in West India.
English traders discovered the rich woods and intricate workmanship of Indian artisans, so colonial government officials began to recognize the work of the Indian artists and craftsmen as a source for satisfying the need for furniture and boxes, which would both serve to enhance English households in India. This gave rise to the cabinetmaking workshops in Vizagapatam between Calcutta and Madras.
Craftsmen made the first boxes to be decorated with Sadeli mosaic of rosewood or ebony, incised to give further definition to the decoration, directly inlaid into the wood. The shape of the early boxes was either sloping at the front with a flatter section at the back, reminiscent of English writing slopes, or rectangular. Artisans inlaid the borders with stylized floral scrolls and the centers with a single floral motif following a circular or oval symmetrical or asymmetrical pattern. The edging was ornamental and protective, both helped protect the end grain against the weather.
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