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JUDAICA SILVER ETROG BOX DESIGNED BY LUDWIG WOLPERT. New York, 20th century
$15,000
£11,335.01
€13,089.15
CA$20,960.24
A$23,257.15
CHF 12,182.59
MX$285,195.06
NOK 154,958.40
SEK 146,274.12
DKK 97,614
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About the Item
This charming piece of jewish history in front of you is a one of kind modern Judaica object,
This box used to hold the Etrog To protect the it during the holiday of Sukkot, it is traditionally Wrapped in silky flax fibers and stored in a special decorative box, mostly made from silver.
Wolpert designed this amazing hand hammered Bauhaus style box in 1963-1964 while he was Working in New York. all of the boxes we could found from this design made by Wolpert have The upper part inscribed in a simple engraving with the phrase "Pri Etz Hadar"
In Hebrew ״פרי עץ הדר״. the box in front of you is the only example in existence as far as we Know where the letters are also repoussé and also engraved, such a beautiful and hard to get Combination, the rest of the box is shaped as a modernistic Etrog, all the body of the box is Skillfully hand hammered in a way it reflects the light in a warm and calm way, a true Masterpiece of modern judaica by the great and important artist Ludwig Yehuda Wolpert.
One of the the two great masters of 20th century Judaica.
the Box is marked "WOLPERT" AND "STERLING" and the base has the engraved inscription :
"ALAN WECHSLER GENERAL CHAIRMAN, ALLIED JEWISH APPEAL OF SOUTHERN NEW JERSEY 1978"
Similar boxes can be find in museum collections around the world
In the Jewish Museum New York
In the North Carolina Museum of Art
In The Derfner Judaica Museum
Another similar box was featured in the Israel Museum exhibition
"Forging Ahead, Wolpert and Gumbel, Israeli Silversmiths for the Modern Age"
Ludwig Yehuda Wolpert was born in Hildesheim, Germany, to an Orthodox family. In 1916-1920, He began his studies in sculpture at the Frankfurt School of Art. In 1925-1928, he studied Goldsmithing at the Frankfurt School of Art.
Following the presentation of the works in the 1930 exhibition "Kult und Form" ("Ritual and Form") at the Jewish Museum in Berlin, his works became well known in the German Jewish World. His works were greatly influenced by Modernist design, especially the Bauhaus Movement. Wolpert's works avoid decoration, relying on clean, geometric shapes. In 1933, Following the Nazi rise to power in Germany, he immigrated to the Mandatory Palestine with His family. There he worked for two years in the workshop of Bernhard Friedländer, where he Designed and produced silverware and Jewish ceremonial art.Together with Victor Solomon Reese] he made the sculpture "The Flying Camel", the symbol of the "Levant Fair", under the architect Aryeh Elhanani.
In 1935 he began teaching at Bezalel Academy of Arts and Design in Jerusalem, where he Headed the Department of Metal together with jeweler David Heinz Gumbel. Wolpert placed An emphasis on the use of Hebrew calligraphy in Jewish ceremonial art. In addition to his Teaching, he continued to create modern Judaica at the school’s workshop. In 1942 he Established an independent workshop in Jerusalem.
In 1956, Wolpert moved to the United States, where he headed the Tobe Pascher Workshop For Modern Jewish Art at the Jewish Museum in New York City.
Holding the Etrog in sukkot is one of the earliest known jewish festivals that are still celebrated Until today, we can find testimonials for this in the Bible and also on the book of Josephus, Antiquities of the Jews III 10.4, "Concerning the festivals; and how each day of such festival is To be observed"
"But on the fifteenth day of the same month [Tishrei], when the season of the year is changing For winter, the law enjoins us to pitch tabernacles in every one of our houses; but so that we Preserve our selves from the cold of that time of the year: as also that when we should arrive At our own countrey, and come to that city which we should have then for our metropolis, Because of the temple therein to be built; and keep a festival for eight days; and offer burnt Offerings, and sacrifice thank offerings: that we should then carry in our hands a branch of Myrtle, and willow, and a bough of the palm-tree, with the addition of the pomecitron..."
- Dimensions:Height: 4 in (10.16 cm)Width: 6.1 in (15.5 cm)Depth: 4.4 in (11.18 cm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1960
- Condition:Wear consistent with age and use. perfect condition, despite some scratches and general were from normal use. ass stated, there is is an dedication inscription to the base.
- Seller Location:Tel Aviv - Jaffa, IL
- Reference Number:1stDibs: LU8130243334672
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View Allextremely rare Algerian Judaica silver, jewish Dowry box early 19th century
Located in Tel Aviv - Jaffa, IL
Amazing and scarce JUDAICA object, we have here one of the most touching jewish objects we had for a long time, this small silver dowry box was made in Algeria in the early 19th century, it is all covered with symbols of jewish faith and of couples, the sliding lid has 2 flanking birds with hamsa (protective hand) on each side and a flower vase in the middle.
one side shows two flanking lions with a tree in the middle and the other side shows again two big and two small birds with a flower bowl in the middle, front side has a key hole and next to it there is the Hebrew inscription ס״ט״" which says Siman tov or in English "a good sign" it is taken from the wedding blessing, underneath the lock there is another inscription with the name ״עזיזה בת אברהם בן חמו״ which is the name of the bride, her father and her grandfathers name.
the box is full marked a lot of times with the silversmith mark, every side of the box is marked.
this box was probably ordered by the grooms family to hold the jewelry they are giving to the bride as dowry, this type of objects are rare and there are just a few of them on museum collections.
DOWRY (Heb. נְדֻנְיָה), the property a wife brings to her husband at marriage; the Yiddish equivalent, nadn, is from the same root. The custom of nedunyah became clearly defined and institutionalized only in the talmudic period. In biblical times, mohar (מֹהַר), whereby the groom bought his wife from her father (Gen. 24:53; Ex. 22:15–16; Hos. 3:2), was the accepted practice. It was then customary that the groom give the bride gifts, and that she bring certain property to her husband's home upon marriage: slaves, cattle, real estate, etc. (cf. Gen. 24:59–61; 29; Judg. 1:14ff.; I Kings 9:16). Evidence of the custom of nedunyah is to be found in Tobit (7:14; 8:21) and in the Assuan papyri (Cowley, Aramaic, nos. 15, 18). Gradually, mohar was superseded by the ketubbah custom according to which the husband merely assumed the responsibility of compensation to his wife in case he divorced her: he had to pay her 200 zuzim if she had been a virgin at the time of marriage, and 100 zuzim if a widow or divorcée (see *Ketubbah).
By talmudic times, the institution of nedunyah was prevalent; the father gave a dowry to the bride since the daughter was excluded from paternal inheritance. Fifty zuzim (equivalent to the worth of 180 grams of silver) was the minimum amount a father was obliged to give to his daughter (Ket. 6:5). Parents usually gave much more, according to their social standing. Community funds provided the dowry for an orphan or a very poor girl (ibid.; cf. Sh. Ar., YD 251:8). In case of her father's death, the brothers of a minor girl were obliged to give her the minimum dowry, and the court estimated how much her father would have given her above the minimum dowry. The sum was then taken out of the father's estate and given to the daughter upon majority (Ket. 6:6; 68a–69b). In the absence of such an estimate, each daughter was entitled to receive one-tenth of the value of her father's estate in money, or in valuables (Yad, Ishut, 20:4–7; Sh. Ar., EH 113:4). If the father was unable or unwilling to pay the promised dowry at the betrothal ceremony, the groom could refuse to marry his bride (Ket. 13:5; Ket. 108b–109a). Insistence on exact payment of the promised dowry, however, was frowned upon by later rabbinic authorities (Rema to Sh. Ar., EH 2:1). In certain communities it was customary for the groom's father to make a dowry contribution equal to that of the bride's father (Ket. 102b). The dowry, whether given in real estate, slaves, money, or chattel was recorded in the marriage contract (the ketubbah) and in some instances one-third or one-fifth of the actual value of the dowry was added to the sum mentioned in the ketubbah. Based upon a decree enacted by *Simeon b. Shetah (first century C.E.), the Talmud ruled that the husband and his entire property were liable for compensation as stipulated in the ketubbah, either in case he died (when she collected the sum specified in the ketubbah from the heirs) or in case he divorced his wife (Ket. 82b). For the status of the dowry and the husband's rights and obligations, see below. The rabbinic enactments (Takkanot Shum) by R. Jacob *Tam and by the rabbinic synod of the communities of Speyer, Worms, and Mainz (Germany) stipulated that if a woman died...
Category
Antique Mid-19th Century Algerian Tribal Art
Materials
Silver
Silver Hanukkah Lamp made by Eli Gera, modern Judaica, Israel, Tel Aviv 1970s.
Located in Tel Aviv - Jaffa, IL
Very rare and important piece of Israeli modern Judaica, a bauhaus style silver Hanukkah Lamp made by the famous jewish silversmith Eli Gera, made from hand bent And hand Forged silver in the 70s, while other works by Gera were multiplied by him, from What we Know this piece is a one of a kind.
Marked "SILVER 925" and ELI GERA in Hebrew and English
on a small silver plaque on the base.
Measurements:
Height: 3 inch / 7.6 cm
Width: 11.8 inch / 30 cm
Depth : 3.3 inch / 8.5 cm
Condition :
Perfect condition for its age, no brakes, no restorations, some minor scratches and age Related wear
About the artist :
Please note the Victoria & Albert Museum in London holds an Hanukkah lamp Havdalah Set...
Category
Vintage 1970s Israeli Bauhaus Sterling Silver
Materials
Silver
An Israeli sterling Silver Tzedakah box, Judaica, by Carmel Shabi, 1994
Located in Tel Aviv - Jaffa, IL
Tzedakah box of flattened oviform shape (round fish shape) , amazing sleek and Modernistic design. just a masterpiece of design.
Pierced with stylized H...
Category
1990s Sterling Silver
Materials
Silver
Rare "Safed" kiddush cup, late 19th century Poland/ Eretz ISRAEL
Located in Tel Aviv - Jaffa, IL
This 84 silver cup was made in Europe, in Poland or parts of Poland that are in modern Russia in the 19th century, the interesting and important in this cup types is that they were s...
Category
Antique 1890s Israeli Sterling Silver
Materials
Silver
A RARE SILVER SHMIROT KIDDUSH CUP. Galician, c. 1850.
Located in Tel Aviv - Jaffa, IL
A RARE SILVER SHMIROT KIDDUSH CUP. Galician, c. 1850.
Among some Hassidic courts, it was a practice for the Rabbi to give a blessed silver coin to his Hassidim as an amulet. Such protection might be given for all manner of life events, from healing from an illness to success in travel and the amulet was carried on the body of the recipient. This custom was particularly popular among the Ryzhiner Hassidim and these coins were called "Shmirot". To such coins were attributed extraordinary power and value and they were treasured with great care and love.
this cup is marked with polish loth 12 mark which indicate silver content of 75%.
Size :
Height 2.3 inch / 6 cm
Width : 2 inch / 5 cm
After the specific event for which they had originally be given, such a coin or coins were used in the making of other objects, which maintained the special aura of the Rabbi. Such a coin would be melted in other silver with the amuletic valued being spread evenly to all the silver. Then a ritual object would be fashioned by a silversmith and the special nature of the item would be inscribed on it, indicating in one of several ways that this object had been made from "Shmirot". this objects include Kiddish cups, a Havdalah tray, a Shabbat salt holder, a Chanukkah Menorah, a Torah crown etc.
This object is a Kiddish cup fashioned from such silver. On this cup, the inscription indicating Shmirot is found in the abbreviation of the words "made from shmirot k (kodesh)' " (This is the cup of Shmirot). Such cups were used for blessing the wine so that each use renewed the power of protection granted by the Rabbi. This cup was used for the blessing over wine on Shabbat and holidays. Inscription:
the other iconography on the cup is of a lion that represent Through the tribe of Judah, the lion symbol came to represent the blessing, majesty, and even divine protection of the Jews. The lion symbol continued to be used even after the destruction of Jerusalem, the capital of Judah's nation,
and a unicorn or a re'em, also reëm (Hebrew: רְאֵם), is an animal mentioned nine times in the Hebrew Bible It has been translated as "unicorn" in the Latin Vulgate, King James Version, and in some Christian Bible translations as "oryx" (which was accepted as the referent in Modern Hebrew),[citation needed] "wild ox", "wild bull", "buffalo" or "rhinoceros". Rabbi Natan Slifkin has argued that the re'em was an aurochs, as has Isaac Asimov...
Category
Antique 1850s Sterling Silver
Materials
Silver
Important Early 20th Century Silver Kiddush cup by Bezalel School Jerusalem
Located in Tel Aviv - Jaffa, IL
Important Handmade sterling silver Kiddush goblet by Bezalel School, Jerusalem, Circa 1910-1913.
On the cup there are 3 identical scenes of flanked lions and on the middle of them There are two columns with a staircase, this design is probably taken from Eastern European torah ark, on the middle part there is a chandelier with 3 tiger/lioness Heads, the top of the cup has 3 inscription on top of each flanking lions scene, first One says : ״כוס ישועות אשא״ (Psalms 116:13) which means " I will take the cup of Salvation", this is a rather common blessing on kiddush cups.
Next inscription says : ״אין שמחה אלא ביין״ in English " there is no joy except in wine" This says that after the temple was destroyed we have our joy only in the wine of Kiddish.
The last inscription says ״ושמחת בחגך״ (Deuteronomy 16:14 ) in English : "And you shall rejoice in your festival".
So this cup is a kiddish cup...
Category
Vintage 1910s Israeli Art Nouveau Sterling Silver
Materials
Silver
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