La reconnaissance est la mémoire du Coeur
View Similar Items
La reconnaissance est la mémoire du Coeur
About the Item
- Creator:Line Vautrin (Designer)
- Dimensions:Height: 1.3 in (3.31 cm)Width: 5.3 in (13.47 cm)Depth: 3.5 in (8.89 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:ca. 1942-1950
- Condition:
- Seller Location:New York , NY
- Reference Number:Seller: LV Box 531stDibs: 130329970624
Line Vautrin
Celebrated as the “poetess of metal” by Vogue magazine, designer Line Vautrin’s provocative works, which span furniture and jewelry, are characterized by fanciful forms and technical excellence. An audacious decorative artist and intellectual during a time when women were expected to fall into traditional roles, her inspirational designs show her passion for literature, wordplay and mythological allegory.
Born in 1914, Vautrin possessed a sense of curiosity and keen observational skills that led her to start creating at an early age. A talented autodidact, she taught herself to work with metal while spending time in her family’s bronze foundry. Vautrin had already mastered the skills of casting, carving, gilding and polishing bronze by the time she was in her early teens, and introduced her first line of jewelry when she was only twenty years old, offering her unique brooches, belt clasps and buttons to a select group of customers. In 1937, Vautrin helmed a small booth at the Paris International Exposition, where she gained some notoriety for her handcrafted accessories. Around the same time, Vautrin worked briefly for Elsa Schiaparelli, a like-minded fashion designer whose achievements propelled her onto the cover of Time magazine in 1934.
Vautrin opened a modest boutique near the Champs-Élysées in the late 1930s. During World War II, she created playful and sophisticated necklaces, powder boxes, earrings and other items that gave her clientele a welcome respite from wartime hardships. There was great demand for Vautrin’s work, and she opened a larger shop on rue du Faubourg Saint-Honoré in 1946. Shortly thereafter, she opened her own atelier in Paris’s then run-down Marais district with her husband, interior decorator Jacques Armand Bonnaud. The neighborhood would later become world-famous for its boutiques and designer shops.
Vautrin’s boundless curiosity led her to constantly experiment with new materials and processes. In 1955, she perfected her technique with a new form of cellulose acetate resin, which she patented under the name Talosel. Vautrin used this material extensively to create complicated mirrored inlays, which became one of her signature motifs.
Throughout her life, Vautrin played with literary and religious iconography in her designs, drawing inspiration from common aphorisms, ancient world mythologies and alchemical principles. Her passion for symbology and the written word is reflected in her work, which often features intricate lettering and carefully rendered shapes and figures. Vautrin's pieces were imbued with her own sense of humor and love of fantasy.
In 1969, Vautrin closed her shop, and, alongside her daughter, Marie-Laure Bonnaud-Vautrin, opened a craft school to teach her innovative techniques to aspiring artists. Vautrin retired in 1980 but continued to create art from her apartment up until her death in 1997. Her individualism earned her a place among the most iconic creators of mid-century jewelry and decorative objects. Actress Brigitte Bardot and fashion designer Yves Saint Laurent became notable collectors of her work.
In 1992, Vautrin was recognized for her work in developing new decorative techniques by the Société d'Encouragement aux Métiers d’Art (later the Institut National des Métiers d’Art). Her designs were also celebrated by the Musée des Arts Décoratifs, which held a retrospective of her works in 1999.
Find vintage Line Vautrin mirrors, decorative objects and collectibles on 1stDibs.
- '40s 'Si tous les gars du monde...' box by Line VautrinBy Line VautrinLocated in Paris, FR'Si tous les gars du monde...', box by Line Vautrin 1940 Silvered bronze and corkwood 8x3 cm Signed.Category
Vintage 1940s French Jewelry Boxes
MaterialsBronze
- Hand Painted and Gilded Papier Mache Aide MemoireLocated in East Geelong, VICThis lovely hand painted and gilded papier mache aide memoire would have certainly caught the eye when taken from the ladies purse or handbag. The decorat...Category
Antique 1850s English Victorian Decorative Boxes
MaterialsPaper
- La Sirène au Bateau (The mermaid with the boat) by Line VautrinBy Line VautrinLocated in Brussels, BELa Sirène au Bateau (The mermaid with the boat) by Line Vautrin – Silvered bronze box La Sirène au Bateau (The mermaid with the boat) by Line Vautrin, silvered bronze box. Silvered b...Category
Mid-20th Century French Mid-Century Modern Decorative Boxes
MaterialsBronze
- Antique sterling silver Aide Memoire, card case, William NealeBy William Neale & Son LtdLocated in NEWARK, GBAn attractive and substantial antique sterling silver Aide Memoire and card case. This is a very good quality and heavy sterling silver Aide Memoire with a tan leather interior and ...Category
Early 20th Century British Art Nouveau Decorative Boxes
MaterialsSterling Silver
- Line Vautrin "Aide Toi, Le Ciel T'Aidera" box and one "La Lune Rousse" boxBy Line VautrinLocated in Paris, FRLine Vautrin Two Boxes, comprising one "Aide Toi, Le Ciel T'Aidera" box and one "La Lune Rousse" box. Silvered bronze One box impressed LINE/VAUTRIN; one box impressed VAUTRIN i: 1¼ ...Category
Vintage 1940s French Decorative Boxes
MaterialsSilver, Bronze
- Antique Silver Card Case Aide Memoire Purse Birmingham 1908 William HaselerBy William Hair HaselerLocated in Toronto, OntarioAntique silver card case in form of Aide Memoire Purse, Birmingham 1908, William Hair Haseler. Art Nouveau elaborate border surround, monogram possibly H....Category
Antique Early 1900s English Art Nouveau Sterling Silver
MaterialsSterling Silver
$396 Sale Price20% Off