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Pietra Dura Geometric Box in the Style of Richard Blow
$1,650
£1,267.63
€1,456.50
CA$2,320.93
A$2,607.46
CHF 1,362.40
MX$31,825.27
NOK 17,298.53
SEK 16,282.92
DKK 10,868.92
About the Item
Fabulous Pietra Dura box created in a cool geometric composition possibly by Richard Blow. Masterfully done and while unmarked it is signed Made in Italy. Last image is a drawing of Blow's with similar design elements.
Great desk or console item and a true piece of art!
- Similar to:Richard Blow (Designer)
- Dimensions:Height: 1.25 in (3.18 cm)Width: 6 in (15.24 cm)Depth: 3.74 in (9.5 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Late 1950s-Early 1960s
- Condition:Wear consistent with age and use. While stone is polished over time it has dulled in a few areas - and there are a few stains or absence of sheen to marble that most likely can be polished out. Some slight surfaces scratches due to wear.
- Seller Location:New York, NY
- Reference Number:1stDibs: LU915422935032
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Selected personal exhibitions:
1982: FIAC, Gallery Claudine Bréguet, Paris, France [14]
1983: Exhibition Space, Leo Castelli, 112 Greene Street, New York City, United States [24]
1985: Gallery Kouros, Madison Avenue, New York City, United States [25] · [26]
1985: Exhibition at the museum of fine art of La Rochelle & Sainte-Croix museum, Poitiers, France [27]
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1989: Galeria Ciento, Barcelona, Spain[33]
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1992: Histoire du Ciel, Galleria La Bussola, Turin, Italy [37]
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1993: The Botanique museum, Brussels, Belgium [33]
1994: Gallery Nii Osaka, Japan [38]
1994: Château de Chambord, France [39]
1994: Institut français de Taipei, Taiwan
1994: Galleria Grafica Tokyo, Japan [40]
1995: the Bouvet-Ladubay Contemporary Art Center, Saumur, France [41] 1995: Gallery Garando Nagoya, Japan [40]
1995: Gianni Piretti Gallery, Stockholm Art Fair, Stockholm, Sweden
1996: Museum of Fine Art of Taiwan, Taipei [42]
1996: Manufacture des œillets, Ivry-sur-Seine, France [43]
1996: Galerie Virus, Anvers, Belgium [44]
1997: Galerie Reflex, Amsterdam, Netherlands [45]
1997: Suzanne Tarasiève, Barbizon, France
1998: Feria Internacional de Arte Contemporáneo, Madrid, Spain [46]
1998: Musée national de la Marine , Palais de Chaillot , Paris , France [47] 1999: Carrousel du Louvre, Art Paris Art Fair, Paris, France [46]
1999: Villa Noailles, Hyères, France [48]
2000: Sculptures, Galerie Artcurial, Paris, France [42]
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2002: Suite des droits de l'homme 7 Aubusson tapistries, Musée du Président-Jacques-Chirac, France [2]
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Condition:
In excellent condition, please see photos for confirmation,
Dimensions in cm:
Height 2 x Width 17 x Depth 10
Dimensions in inches:
Height 1 inch x width 7 inches x depth 4 inches.
Pietra dura is a term for the inlay technique of using cut and fitted, highly polished coloured stones to create images. It is considered a decorative art.
Pietre dure is an Italian plural meaning "hard rocks" or hardstones; the singular pietra dura is also encountered in Italian. In Italian, but not in English, the term embraces all gem engraving and hardstone carving, which is the artistic carving of three-dimensional objects in semi-precious stone, normally from a single piece, for example in Chinese jade.
The traditional convention in English has been to use the singular pietra dura just to denote multi-colored inlay work. However, in recent years there has been a trend to use pietre dure as a term for the same thing, but not for all of the techniques it covers, in Italian.
But the title of a 2008 exhibition at the Metropolitan Museum of Art, New York, Art of the Royal Court: Treasures in Pietre Dure from the Palaces of Europe used the full Italian sense of the term, probably because they thought that it had greater brand recognition. The material on the website speaks of objects such as a vase in lapis lazuli as being examples of "hardstone carving (pietre dure)"
The Victoria & Albert Museum in London uses both versions on its website, but uses pietra dura. "A method of inlaying coloured marbles or semi-precious stones into a stone base, often in geometric or flower patterns...."
Giovanni Montelatici...
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