Russian Hand Painted Lacquerware Palekh Miniature Table Box

Vizagapatam box, India, 19th century. This highly decorative and unusual Anglo-Indian table box features rustic workmanship that adds to the character and charm of this unique Sout...

An important early antique Italian Renaissance table box, handcrafted in Northern Italy in the 17th/18th century, cassone chest form, richly inlaid, the top and front panel with fruitwood banding framing...

A scarce antique circa 1900 South Asian hand carved wooden decorative table box / jewel casket. Hand-crafted in the early 20th century, likely British Ceylon (present day Sri Lanka)...

A rare and exceptional Aesthetic Movement period Bohemian enameled jewel casket attributed to luxury glassmaker Moser. Hand-crafted in the late 19th cent...

Vintage USSR Russian Firebird folklore / fairy tale keepsake trinket box featuring hinged lid, footed base and red interior. Palekh Zhar-Ptitsa (Slavic Firebird) Chernishova (last n...

Burmese antique lacquerware betel box. Individual Betel Box authentic Burmese Folk Art know as Kun- It, Mandalay Period. A lacquered cylindrical body of woven turned Bamboo decorated by incised lacquer overall with Chu-pan variant motif and traditional Folk Art characters. This Betel Box has four bowls that make up the entire box. This is a complete Burmese Lacquerware Betel Box. Each bowl has a purpose. The top and base work as large containers and two shallow dishes work as small bowls. The workmanship is very unique having exquisite height details to the bottom of the base container and the two shallow bowls showcasing a complex design to the weaving. Antique Burmese Lacquerware is highly collectible, having books written on this Folk Art with museums having collections and exhibits of same. A very nice antique Burmese Betel Box...

Square box in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè also on the sides. In the center, a beautiful hand painted tempera miniature on a vegetable ivory plate depicting the portrait of a 19th century lady, signed by the painter Anna Maria Manfriani. Dimensions cm. 12 x 12 x 2.5. Weight gr. 618. Designed by Franco Salimbeni in 1976 and manufactured in Florence in some specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

This antique wooden box is unmarked and unsigned, but believed to have been made in Russia in circa 1890. The top of the box portrays a vignette of a shore scene where several men in...