Vintage Ceramic Baby Blue Decorative Covered Dish with Lid and White Figures

A beautiful ceramic heart shape trinket box by Wedgwood. This dish is in the Classic “Wedgwood blue” and features a Greek mythological scene on the top in white. A floral garland tri...

A small Chinoiserie ceramic decorative box with a lid. Rectangular in shape, this box features a hand-painted floral motif on the top of the lid as w...

A round studio pottery trinket dish in brown. This piece will be perfect for a nightstand, coffee table, or bar. It is round and glazed in a deep brown. The lid on the top features a...

A ceramic majolica serving dish with an asparagus motif lid. This lovely piece will bring a little whimsy to your next dinner party. Created from ceramic, this dish resembles a woven...

This is a pair of antique decorative boxes. A Chinese, ceramic lidded dish, dating to the late Victorian period, circa 1890. Appealing tradi...

Vintage French jewellery containers with decorative ceramic lids by Mithé Espelt (circa 1970s). Flower and Bird motifs decorate these five delightful, diminutive wooden boxes. Two of the ceramic lids have golden craqueleur boundaries encircling the inner decoration. The containers would be an attractive grouping on the surface of a vanity or dressing table. Alternatively, they might simply be suitable as a splendid decorative display in the home. The pieces are in good overall condition with some minor natural differences in the colour of the woods. The overall charm is undeniable and they are real collector's items. Please enjoy the many photos accompanying the listing. Upon request, a video will be provided. About the artist: Born in 1923 in Lunel, in the South of France, Mithé Espelt grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business, she started designing gilded jewellery...

Enhance your decor with the Vintage Geometric Ceramic Container With Lid. This stylish piece features a bold geometric design and a matching...

This is a vintage celebration dish. A Chinese, ceramic lidded box with Famile Jaune decor, dating to the late 20th century. Striking decoration across this appealing box Displays a ...