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Walnut and Wrought Iron Chest, Spain, 17th Century

$961.14List Price

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Walnut and Metal Small Chest, 17th Century
Located in Madrid, ES
Small rectangular ark with a flat lid, with a lock of golden metal worked (crown on two facing lions, located on a garland of great size, and all around a symmetrical composition wit...
Category

Antique 17th Century European Baroque Jewelry Boxes

Materials

Metal

Castillian Chest, Walnut, Textile, Wrought Iron, Spain, 17th Century
Located in Madrid, ES
The different pieces of ironwork follow a tradition that is already in arks at the end of the 16th century (compare the example shown with the Gothic chest from the 15th century of t...
Category

Antique 17th Century Spanish Baroque Blanket Chests

Materials

Wrought Iron

Castillian Chest, Walnut and Wrought and Polychromed Iron, Spain, 17th Century
Located in Madrid, ES
Castilian chest. Walnut wood, wrought iron andpolychrome. Spain, 17th century. Rectangular chest with a flat top, slightly raised onspheres, decorated on the outside with smoothmol...
Category

Antique 17th Century Spanish Baroque Blanket Chests

Materials

Other, Wrought Iron

Table, Walnut, Wrought Iron, Spain, 17th Century
Located in Madrid, ES
table with hairpin clips. Walnut wood, wrought iron. Spain, 17th century. table made of carved and turned walnut wood with four A-legs, two wrought iron hairpin clips and drawers on...
Category

Antique 17th Century Spanish Baroque Tables

Materials

Wrought Iron, Other

"City Hall" Chest, Walnut, Wrought Iron, Castile Spain, 17th Century
Located in Madrid, ES
This type of "City Council" or "Council" is called by its three locks, each of which closes with its respective key. These furniture were used in any type of organization, religious ...
Category

Antique 17th Century Spanish Baroque Blanket Chests

Materials

Wrought Iron

Chest, Walnut, Textile, Wrought Iron, 17th Century
Located in Madrid, ES
The shape of this chest, rectangular with flat top, is also the usual in this type of furniture since the Gothic in the Spanish school. It is necessary to highlight the importance that the typology has on Spanish Antique furniture...
Category

Antique 17th Century Spanish Baroque Blanket Chests

Materials

Wrought Iron

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17th century leather studded travellers Chest
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A large French 16th Century Beech wood & leather chest, with iron flowerhead and domed stud work to front top and sides. Original hasp and lockplate, the interior of the box with lat...
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17th Century Spanish Burled Walnut Vargueno or Collectors Cabinet
Located in Milford, NH
A fine example of a diminutive burled walnut vargueno, collector or valuables cabinet, with molded cornice and drop front, opening to a multi-drawer ...
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17th Century Figured Walnut and Seaweed Marquetry Lace Box
Located in Oxfordshire, United Kingdom
A fine and extremely rare figured walnut and seaweed marquetry 'lace box', circa.... let’s break it down - Seaweed marquetry first appeared in Englis...
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Boiled Leather Trunk, Spanish, 17th Century
Located in Bruxelles, BE
Leather trunk Spanish, 17th century Boiled Leather, wood and iron Measures: 22 x 53 x 32 cm. Provenance : - collection Metz-Noblat, Château de Clevant, France Rectangular trunk of the form and size of a small suitcase with wrought iron hinges and lock-plate. Wood, covered with leather, cut and embossed with every surface of the thick cow hide covered in interlace, zoomorphic features. The construction method is boiled leather, often referred to by its French translation cuir-bouilli: a process used to change flexible, vegetable-tanned leather into rigid, moulded objects. For shaping of the vegetable-tanned leather, heat and moisture were used, as indicated by the term boiled leather. No written medieval sources describing the production of decorated cuir bouilli objects survive, so knowledge of the process relies on the important studies of the Scottish leather historian John William Waterer. A large range of methods, materials and techniques could be used in various combinations. The vegetable-tanned leather, made supple with moisture and heat, was stuffed, shaped and nailed to the rigid wooden coffer support. The stuffing material was probably modeled beeswax or stearin wax. To shape the leather, to create its topography, « Cushions » were made by lacing a thread through an awl hole and attaching the flexible leather and stuffing to the rigid wooden support on the bottom. Then the decoration was done: lines were incised through the upper layer of the leather (epidermis) with different thicknesses of knives or needles. Contours were created with deep v-shaped cuts, decoration with thin incision and final details with a needle point. For the incision and pouncing stage, the leather was probably kept heated and moistened for suppleness. Once dry, the leather would be hard and rigid. the saturated leather is worked over a form, possibly even damp sand, with the pattern shaped using bone or wooden tools. Compare to metal, leather was lighter and it offered protection from cuts and punctures. Cuir bouilli objects were produced by specialist leather workers and needed skillful craftsmanship. The surface is filled with roundels shaped foliages enclosing animals, lions and peacocks. The foliate arabesques creating a vegetal connection tweet the animals create the impression of a lush verdant space . The vegetal pattern here employed in combination with geometrical pattern came from the pre-islamic artistic traditions of the Byzantine and Sasanian empires. An aspect of Islamic geometry Is the basic symmetrical repetition and mirroring of the shapes that create a sense of harmony. The decoration of this truck is inspired by the islamic « arabesque » a form of vegetal ornament composed of spirals, intertwining plants and abstract curvilinear motifs. An arabesque character is given to the birds of the decorations through extreme stylisation. This arabesque maintained the classical tradition of median symmetry, freedom in Detail and heterogeneity of ornament. The presence of the peacocks is a paradisiacal allusion: in popular Islamic literature they were among the original inhabitants of the garden of Paradise expelled with Adam and Eve. Peacock as a decorative motif may have originated in the West, despite their eastern provenance. There was an ancient belief that the flesh and feathers of peacock do not decay. This led to the peacock becoming a christian symbol for Christ’s resurrection. Renowned for their decorative wall hangings, seventeenth-century Spanish leatherworkers also produced utilitarian objects, such as this trunk. A similar trunk is on display at the Metropolitan museum of art ( 09.158.1). Related literature : Davies L. 2006. Cuir bouilli. Conservation of leather and related materials, 94-102, Oxford: elsevier Butterworth-Heinemann Grabar, Oleg. The Mediation of Ornament. Princeton: Princeton University Press, 1992 Gabriela Germana Roquez, "El mueble en el Peru en el siglo XVIII...
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Boiled Leather Trunk, Spanish, 17th Century
$12,975 Sale Price
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COUNTER CASH 17th Century Flemish
Located in Madrid, ES
COUNTER CASH 17th Century Flemish in walnut wood with inlays, consisting of two drawers and a drawer. Signs of use. Dim.: 31.5 x 44 x 27 cm good state
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A Fine of a 17th Century Painted Armada Chest
Located in Lincolnshire, GB
A 17th century painted Armada chest with a finely engraved steel lock plate with Maidens, flowers, and a brass central boss. The outside is painted with a green background and floral...
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Brass, Steel

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