Renaissance Revival Damacened and Bronze Casket

Possibly by Oscar Bach or a better maker. Great patina to the metal and brown leather strap seat and back. Bird finials.Paw feet.

Each with a semi clad maiden finial over various Renaissance motifs on dolphin form supports.

Possibly by Caldwell or Oscar Bach. Good quality in the California style.

A dwarf cassone with hinged top with chip carved edge over a paneled case with central keyhole, arcaded carved base.

Cast with cherubs and acanthus. Wrought iron legs.

Three pieces with figural handles comprising a shovel, fork and poker.

A fine antique 19th Century brass casket or table box. In the Renaissance Revival style. With embossed brass sheet side panels, a domed lid, bail handle, and scroll & leaf work fee...

This is a Renaissance style gilt bronze rectangular casket lidded box. It depicts embossed decoration of scrolls of acanthus leaves, birds flowers and hearts around the whole box. In the center of the lid, there is a “cameo” or relief of the profile of a gentleman with a beard. Inside, the box is covered with purple velvet fabric in the lid. It is divided in different sizes and shapes of compartments with glass tray and two inkwell bottles...

French 19th century large gilt and silvered bronze table box. Finely cast Renaissance Revival gilt and silvered bronze jewelry box with tufted velvet interior lining. Four corners wi...

Our gold damascened Renaissance Revival jewelry chest by Antonio Cortelazzo (1819-1903) was commissioned by the English lawyer and antiquarian, Sir William Drake (1817-1890) and exhibited by the artist at the 1872 International Exhibition in London. It features a pair of dragons supporting the arms of Drake plus repoussé trophies and gold-ground scrollwork, raised on scroll and mask feet.  The lid is signed CORTELAZZO VICENZA FECIT 1870. With original descriptions written in ink on paper. The first reads "Steel Casket damascened gold and ornamented with 4 plaques of repousse work by Cortelazzo of Vincenza. Coll: Sir W R Drake S.L.A." where the initials refer to the Society of Antiquaries of London. The second similarly reads "Casket of Steel damascened with gold and ornamented with four plaques of silver repousse work. By Cortelazzo of Vincenza. Lent by Sir William Drake." Exhibition: International Exhibition of 1872, London. Provenance: The Collection of Sir William Drake, F.S.A., Christie's, London, June 30, 1891, lot 602, 33 GBP. The Collection of M.F. Adie Esq., purchased circa 1950 from H.W. Keil Ltd, Broadway, Worcestershire, England. Literature: The Official Catalogue, Fine Arts Department London, International Exhibition of 1872, London, J.M. Johnson & Sons, Victoria and Albert Museum. (See images here in our listing.) The Art Journal, London, 1872, p 2. Nineteenth Century Silver, J. Culme, London, 1977, p 17. The Layards, Cortelazzo and Castellani: New Information from the Diaries of Lady Layard, Jewellery Studies I, J. Rudoe, 1983, p 86. A Renaissance-Revival Masterpiece by Antonio Cortelazzo, B. Shifman, Cleveland Studies in the History of Art, vol 8, p 103. In 1872 The Art Journal Catalogue wrote "Among the art gems of the present exhibition are to be found the productions from the hand of Antonio Cortelazzo of Vicenza, now as well known in England for his skill as a metalworker as he is appreciated among his fellow workers in his native italy by whom he is recognized as Facile Princeps in the art. In the mechanical skill with which he inlays metal upon metal he has his rivals; but in the combination of that process with purity of design and artistic fancy of ornament which distinguishes all his works, he stands unrivalled. The 'Coffre' is in intarsia of gold and silver (partly flat and in other parts relief) on steel. It is one of numerous specimens of Cortelazzo's work which are to be found in the collection of Sir William Drake, one of the principal English patrons of the artist whose genius is now fully appreciated. Drake was a wealthy lawyer and collector of contemporary as well as renaissance and baroque works of art. A client of the connoisseur and dealer William Blundell Spence, Sir William acquired works by leading artists of the period including the Florentine sculptor and wood carver, Luigi Frullini (1839-1897), English art potters, the Martin brothers, and the celebrated goldsmith and damascener, Placido Zuloaga...

A Renaissance Revival gilt-brass and agate mounted dressing table box. French, circa 1870. This fine box is applied with foliate engraved strap-work and side handles and finely po...

An Italian enamelled snuff box. Colorful box, created in Italy, back in the 1920. It was crafted in an octagonal shape with neoclassical and renaissance Revival motifs in solid .8...