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Imperial Russian 18-Karat Gold Snuff Box, Keibel, St-Petersburg, circa 1830

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    Antique early 20th century Imperial Russian 14-karat solid gold & hand painted enamel pill box, the lid hand painted depicting two sisters picking roses in the garden, within a carto...
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  • 19th Century French 18K Gold Royal Presentation Snuff Box, c.1850
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  • 20th Century Russian Silver Trompe L'oeil Cigar Box, Ovchinnikov
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    Antique early 20th century Imperial Russian solid silver tromp l'oeil cigar box, rectangular, the hinged cover, sides and base chased and engraved to simulate woodgrain and tobacco t...
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  • 21st Century Contemporary Watch Box In A Fine Stripe Macassar Veneer
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  • 20th Century British Backgammon & Draughts Game Box, circa 1950
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    Mid-20th century British made backgammon and draughts game box. A superb gift and a must have item during the festive holidays, that will make a real conversation piece and a superb ...
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  • Antique 19th Century Victorian Silver Mounted Ram’s Head Snuff Mull c.1874
    Located in Royal Tunbridge Wells, Kent
    Antique 19th Century Victorian silver mounted ram’s head snuff mull, the head is fitted with a silver compartment for snuff, chased with thistles and centred by a facetted oval cryst...
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  • Pavel Sazikov, Imperial Russian 84° Silver & Gilt Box, St. Petersburg, ca. 1856
    By Pavel Sazikov
    Located in New York, NY
    Weight: 5 troy ounces (142.1 grams) This fine work of silversmith art was made during the era of Pavel Sazikov, the original founder of the firm, which makes it especially valuable ...
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  • Gold Snuff Box, Restauration Period, circa 1820-1830
    Located in Paris, FR
    Rectangular box with rounded corners. The hinged lid as well as the bottom are embellished with an intricate geometric pattern framed with rinceaux motifs on a matte gold background....
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  • Henrik Wigström 1908 Russia Saint Petersburg Enameled Snuff Box in 14kt Gold
    By Henrik Wigström 1
    Located in Miami, FL
    A snuff gold box designed by Henrik Wigström. Beautiful neo classic snuff box, created in St, Petersburg Russia, at the workshop of Henrik Wigström, back in the 1908. This piece has been carefully crafted in the Russian imperial and Louis XVI styles, in solid yellow gold of 56 zolotnik (14kt) and embellished with applications of white enamel. Decorated around with garlands and intricates dotted patterns. Fitted with an invisible hinge and close perfectly well. Weight: 36.65 Grams, (23.49 Dwt). Measurements: 41 mm by 39 mm by 14 mm (1.61 x 1.53 x 0.55 Inches). Hallmarks: Stamped on both parts with Russian marks; the kokoshnik post 1908 mark with the letter a for the city of Saint Petersburg, the maker's mark HW associated to Henrik Wigström inside an oval cartouche, scratched with his inventory numbers 86111 and the 56 zolotnik mark for the assay and warranty of the gold. Other Hallmarks: Stamped in the outside border, with German importation marks; the German Crown mark, the retailer mark AT inside an oval and the 585 mark for the assay and warranty of the gold. Henrik Immanuel Wigström born on 1862 and was a Finnish silver & goldsmith. He was one of the most important Fabergé workmasters along with Michael Perchin. Perchin was the head workmaster from 1886 until his death in 1903, when he was succeeded by his chief assistant Henrik Wigström. These two workmasters were responsible for almost all the imperial Easter eggs. Henrik Wigström was born in Ekenäs, Finland, and was apprenticed to a local Danish born goldsmith named Peter Madsén, a successful manufacturer of silverware who was familiar with the jewellery trade in the city of St. Petersburg, as at one time he had had a workshop there. Once in Madsén's employment, his master's trade with Russia, as well as his numerous business contacts here, brought him to work in St. Petersburg. Goldsmith Werner Elfström employed Wigström as a apprentice on his arrival in the capital in 1875. Wigström became assistant in 1884, at the age of 22, to Perchin, whose shop at that time was already working exclusively for Fabergé. Wigström became head workmaster at Fabergé after Perchin's death in 1903. The number of craftsmen in Wigström's workshop diminished drastically with the outbreak of World War I. By 1918, the Revolution forced the complete closing of the House of Fabergé. Aged 56, Wigström retreated almost empty-handed to his summer house, on Finnish territory, and died at Terijoki in 1923. His art is similar to Perchin's but tends to be in the Louis XVI, Empire, or neo-classical style. Nearly all the Fabergé hardstone animals...
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  • Antique Russian Neoclassical Gold and Agate Snuff Box Circa 1820s
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  • Russian Silver, Gold And Niello Topographical Snuff Box
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