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19th Century Bronze pair of candlesticks with bears, style of Christophe Fratin
About the Item
Here is a stunning pair of finely chiseled, bronze candlesticks from the mid-19th century. These bronze candelabras, with a body resembling a tree trunk adorned with oak leaves and acorns, feature four light arms supported by a central bear. Their base is decorated with bears in relief, following a natural and wild theme.
These candlesticks are attributed to Christophe Fratin, a renowned 19th-century animal sculptor whose work was widely recognized during his time.
This pair of candlesticks is an excellent example of 19th-century decorative art, combining intricate chisel work and rich materials for a result that is both understated and majestic.
Christophe Fratin, a celebrated animal sculptor, exhibited at the Paris Salon from 1831 to 1842 and from 1850 to 1862, as well as at the Great Exhibition in London in 1851. His masterpiece "Eagles and Prey" has been on display in Central Park, New York, since 1863. His works can be found in prestigious locations such as the Château de Dampierre, the castles of Sans-Souci and Babelsberg in Germany, the Saint Petersburg park, and the Visconti Courtyard at the Louvre.
- Attributed to:Christophe Fratin (Sculptor)
- Dimensions:Height: 22.64 in (57.5 cm)Diameter: 8.67 in (22 cm)
- Sold As:Set of 2
- Materials and Techniques:Bronze,Burnished
- Place of Origin:
- Period:
- Date of Manufacture:circa 1850
- Condition:Minor losses. Minor structural damages.
- Seller Location:Paris, FR
- Reference Number:Seller: AE1934/011stDibs: LU4694141886472
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Christopher Fratin, French 1801 ~ 1864
also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault.
He exhibited at the Paris Salon from 1831–1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used (pictured) showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality this foible is actually an indicator of authenticity.
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