James Bearden Gilded Steel Candelabra

"Pod Box on Stand," a sculptural work in patinated steel and fused bronze by Des Moines, Iowa artist James Bearden. The hinged and abstractly naturalistic...

Group of three small abstract sculptures, titled Module Trio, of blackened steel, fused and dyed bronze, and glass enamel. Made in 2019 by Am...

Sonic sculpture of torch-cut steel fused with glass enamel titled “Meteor Storm” by American artist James Bearden. The array of iridescent, molten-looking celestial shapes surmountin...

Sonic sculpture of torch-cut and polychromed steel, fused bronze, solvent dyes, and glass enamel. An elongated version of "Meteor Storm" that can serve as a screen or divider. A 2019...

Wall-hanging sculpture: blackened steel, fused bronze, solvent dyes, abstract form, USA; Signed; 20 x 8 x 3 1/4 Suggesting archaeological artifacts from the future, these sculptures and functional pieces have been described as post-apocalyptic and brutalist in style, and they’re capturing the attention of collectors and galleries across the country. Bearden was born in Alabama but grew up in Des Moines and received bachelor’s degrees in fine art and visual communications from Grand View University. He worked in graphic design for 20 years, most of that time as an award-winning art director at Flynn Wright advertising agency. In 2007, at the age of 43, he decided to leave that job and focus on fine art. A longtime painter, Bearden found himself drawn to sculpture. The work of Pablo Picasso, Harry Bertoia, Alexander Calder and Louise Nevelson particularly inspired him. His early pieces were smooth, abstract shapes made from wire and sheets of steel painted with bright colors, evoking pop art. That felt like a dead end, he says, so he went in the opposite direction, building both organic and architectonic forms encrusted with craggy texture and charred, corroded or patinated finishes. In 2012 Bearden entered his first public art competition. His sculpture, Paths Unite, was accepted for Clive’s Art Along the Trail and then purchased for the city’s permanent collection. He also has outdoor sculptures at Blank Park Zoo and Lowe Art Center in Marion, as well as in Ames, Coralville and Plymouth, Minnesota. Rago auction brought Bearden’s sculptures to the attention of Larry Weinberg, owner of Weinberg Modern in New York. Weinberg began collecting Bearden’s work for himself and his gallery. This past winter, he curated a solo show of Bearden’s sculptures and functional pieces at 1stdibs Gallery in the New York Design Center. Weinberg compares Bearden’s style to the brutalist furniture of Paul Evans (1931-1987), a midcentury modern craftsman described as “the father of the modern art-furniture movement.” Brutalism as an architectural style emerged after World War II and was characterized by the use of rough concrete as the primary building material. The term has been revived in the past few years to apply to a raw, un-prettified approach to web design as well as to the 1960s-1970s interior design aesthetic that emphasized rugged textures, distressed metals, unfinished concrete and industrial materials. He went on to create cabinet-like boxes that he categorized as Dwelling Boxes, Harry Boxes (a tribute to the late sculptor and modern furniture designer Harry Bertoia), Barnacle Boxes...

Unique mid-century Brutalist candle holder designed and hand crafted in Spain. In the taste of David Palombo, this candle holder will give a great taste of Brutalist artwork...

Uncommon table top Candelabra by Marcello Fantoni and signed with metal plaque. This piece allows the use of 3 candles. Part practical, mostly sculptural and with lots of patina, sty...

Dramatic 1970s Mid-Century Modern Gilded Pewter Sculptural Candelabra by Prof. Ceccherini Make a striking statement with this exceptional 1970s Mid-Century Modern candelabra, a true ...