Opulent Pair of Late 19th Century French Thirteen Light Candelabra

An Excellent Pair of Late 19th/Early 20th Century Louis XV Style Parcel-Gilt and Patinated Bronze Seven Light Candelabra Each with openwork tripod base cast with hoof feet, the standard with three cherub busts...

A fine pair of late 19th century Napoleon III Rouge Griotte marble and patinated bronze four light candelabra Signed F. Levillian and F. Barbedienne Each surmounted by a stork,...

A Very Fine Pair of Late 19th Century Gilt Bronze Seven Light Candelabra After Claude-Michel Clodion Each as a vase cast in high relief with a procession of putti, with a pair of g...

An Exceptional Pair of Late 19th Century Napoleon III Gilt Bronze and Enamel Ten Light Candelabra Attributed to Maison Beurdeley The ten candle foliate designed branches with leaf drip pans, centered with an enamel vase and a gilt band with cherubs at play, topped with three bronze drapes and garlands of flowers. The triangle bases decorated with female masks and trailing floral motifs on plinth bases. After the 18th century model by Pierre Gouthière. This fine pair of candelabra are based on the model by Pierre Gouthière now conserved in the Petit-Trianon at Versailles. According to Pierre Verlet, the model corresponds to a large pair of candelabra with ten branches, drapery, foliage and fruit, richly carved and gilded in bronze, originally supplied by the marchand-mercier, Freres Darnault, for the Salon du Jeu de Mesdames at the Château de Bellevue. Pierre Gouthière (1732 – 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d’Artois, the Marquis de Marigny, and the duc d’Aumont. The collection of the duc d’Aumont was sold at auction in Paris in 1782 and many objects mounted by Gouthière were bought by Louis XVI and Marie Antoinette. His works, unsurpassed in creativity and execution, can now be found in the Wallace Collection and the Louvre. Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28. Among Beurdeley’s most prestigious clients were Emperor Napoleon III and Empress Eugénie, the duc D’aumale, Richard Wallace, the Duc and Princess d’Hamilton, Tsarine Alexandra Féodorovna, The Rothschild and Vanderbilt dynasties and the Metropolitan Club...

A fine quality pair of French Empire bronze and gilded ormolu candelabra, each having Caryatid supports to the scrolling foliate four branch candle sconces. Raised on classical gilde...

Magnificent pair of French 19th Century Louis XVI style six light candelabra in urn form. Having the highest quality dore bronze and marble.

An important pair of Louis XVI style patinated and gilt-bronze four-light candelabra after the model by François Rémond, now in the Wallace collection, London. French, circa 1830. Stamped to one bronze ring ‘RG’. Each candelabra has a central stem in the form of a torch en flambeau with three scrolling acanthus reeded branches terminating in sphinx heads and palm-leaf candleholders. The arms seemingly tied to the stem piece by knotted gilt-bronze cords ending in tassels. The candelabra are issued from patinated bronze ovoid vases with fluted stems and square section porphyry bases. Each vase is mounted with gilt-bronze female heads and foliate swags and encircled by a putti friezes. The handles of each vase are in the form of patinated bronze satyr’s masks. This important pair of candelabra are after the model attributed to the ciseleur-doreur François Rémond dated 1782-5 now in the Wallace collection, London. [F.134-5]. Peter Hughes, in his catalogue entry for the Wallace candelabra...

Impressive pair of gilt and patinated bronze candelabra, having eight arms and with neoclassical scenes in relief, with Rouge Griotte bases, signed Barbedienne