Pair of Neo-Grec Style 3-Arm Dore Bronze and Enamel Candelabras, F. Levillain

A magnificent large pair of five-light doré bronze and patinated bronze Empire period candelabra, attributed to Claude Galle made in the early 1800s. This pair of candelabra are set ...

An Extremally Rare and Large Pair of 19th Century French Louis XVI Style Ormolu and Patinated Bronze Seven-Arm Candelabra, by Alfred Beurdeley, Originally Designed by François Rémond...

A fabulous pair of French 19th century ormolu figural four light candelabras, after a model by Pierre Gouthiere, After a Design by Jean-D...

A fantastic pair of Louis XVI style doré bronze mounted rouge marble 9-arm candelabras with doré Bronze Hercules Masks and doré bronze swirling S-style...

This fine and interesting pair of candelabra are from the late 19th century and are most likely French made from iron, the three light pair show both classical Greek design as well as Assyrian and Roman elements. Unusual styles were considered all the rage in France during the Napoleon III period. The gilding is all original and the tole is an interesting addition giving the pair a great presence when seen in candlelight. Each reeded stem with draped scarf supporting oil lamp shaped arms centering satyr headed candle...

Pair of French Empire-style (20th century) gilt and patinated bronze 3 light candelabra with winged figural columns and flame finial on ormolu mounted base. (Priced as pair).  

Rare pair of Greek style candelabras made in patinated bronze and gilded bronze, attributed to G. Servant. Each with ten light arms topped by a heron shaped extinguisher. Decorated with various Greek style motifs such palmets, pine cones ans water leaves. Standing on a small triangular architecture presenting a theatre mask and reposing on a tripod base formed with lion paw feet. Georges Emile Henri Servant (circa 1828-1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a Gold Medal for his neo-Greek and Egyptian works (Les Merveilles...

Pair of very fine quality antique (19th century) French Greek/Roman neoclassical Grand Tour gilt and patinated bronze figural candelabra on Italian Siena marble bases.