Pair of LXVI candlestick-cassolettes, France, circa 1800

Two large candelabra-candlesticksdecorated with lion claw and cherub heads on the on the visible side . They are turned wood and are decorated, engraved and gilded only on one side ...

Impressive pair of large neo-Gothic church candelabras with eleven candle holders on three levels, in finely cut brass and bronze, decorated with leaves, flowers, scrolls, lily flowers and glass beads. Lion claw feet. In the spirit of Viollet Le Duc...

Two girandoles in gilded bronze with crystal pendants on a round "red griotte" marble base, representing a nymph and a satyr in a very young age. Very fine work in the style of the...

Rare and important stand in the shape of a column, LXVI style, in copper-plated and patinated metal. Decor of asparagus, scrolls, grooves etc. It can support a very heavy object...

An elegant and high quality pair of French 19th century Louis XVI st. Ormolu cassolette candlesticks. Each stunning candlestick is raised on a circular Ormolu base below stepped foli...

A pair of cassolettes forming candlesticks in enamelled porcelain and gilt bronze, 19th century, Napoleon III period. A pair of gilt bronze and delicately painted and enamelled porc...

A Pair of Charles X Gilt-Bronze Reversible Cassolettes / Candlesticks Each with pierced dome lid surmounted by a butterfly finial. The lids reversible, the undersides fitted with c...

Pair of strict classicistical fire gilded candlesticks France 1840, signed Barbedienne. Strict classicist design with square base, flowers and leaf ornaments in different finish. Decorated and smooth elements in alternation create otically balanced object. The widest part of the stem is 4.0cm Ferdinand Barbedienne (* August 6, 1810 in Saint-Martin-de-Fresnay, Calvados department, France; † March 21, 1892 in Paris) was a French sculptor, bronze ware manufacturer, and gallery owner. One of the most important and popular Éditeurs d'art, or publishers of art articles, he had most of the French sculptors of his time under contract. Life and work Ferdinand Barbedienne was the son of a farmer. At the age of 13, he learned the Craft of saddlery. In 1822 he moved to Paris, where he first worked as a clerk in a wallpaper shop. He received start-up capital from his employer to open his own store, which he set up on Rue Notre-Dame-de-Lorette in 1834. He pursued the idea of exhibiting bronze statues in addition to his core business and mass producing them in small format. In 1838, he joined forces with the mechanic Achille Collas, who had developed the machine á reduction (réducteur for short); a device based on the principles of the pantograph that could reproduce three-dimensional objects in any size - reduced or enlarged. On November 29, 1838, both signed the founding contract for the company Société Ferdinand Barbedienne et Achille Collas, which aimed to commercially exploit the mechanized production of sculptural works for an initial 20 years. Barbedienne took care of the commercial management of the company, while Collas contributed the patent on his invention and seven existing machines, and with his profound knowledge of machinery was responsible for the production processes. Together they decided on the subject matter of the objects, the selling prices, and all other financial matters. In 1841, they produced casts of the Apollo of Belvedere, the Spinario, and 21 pieces with the motif of a bas-relief of the Parthenon. These were followed by versions of the Laocoon group, the Venus of Arles, and the Borghese Fencer, among others. Special interest was initially shown in works from antiquity, for which casts from the Atelier de Moulage in the Louvre served as models. The company continued to produce works by representatives of the Renaissance such as Michelangelo, Donatello, Giovanni Bologna or by French sculptors such as Jean Goujon, Jean-François Flamand, Pierre Puget, François Girardon, Antoine Coysevox...