Swedish Iron Candle Holder with Crystal Centerpiece

Amazing modernist candle holder from the mid century. Iron with solid wood balls. Holds four candles.  

A pair of wonderful iron candle holders from Japan. Triangular form supported by a tripod base. Great patina. 1950s.

Carl Frederik Christiansen silver plate pair of candle holders, Denmark 1960's. Beautiful elegant and rare nice condition stamped.

MCM wrought iron modernist candle holder in the style of Harry Bertioa, circa 1960s. The piece is in very good vintage condition and measures 9"W x 9"D x 22"H. Nice patina! #4226

Gunnar Ander for Ystad Metall metal and copper candlesticks, Sweden, 1950s. Simple, elegant lines. Standard size (2cm diameter) candle. In good condition vintage. Some fading to the...

A black-painted iron candelabra designed and produced in Sweden, 1940s. Fits 0.80” diameter candles

Beautiful candelabra by Erik Höglund, made from wrought iron and glass. The rustic iron stem is adorned with four pear shaped glass medallions that bring rain drops on a bare tree to mind. Fits regular candles. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth IDEA appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals...

Gunnar Ander was an industrial designer and architect, and one of the brightest stars of 20th-century Swedish metal, wood, and glass design. His most well-known models are the inn...