Pair of Regency Cut-Glass and Gilt-Metal Two Light Candelabras, circa 1815

Rare pair of Regency bronze candleholders from the London, England workshop of George Penton on New Street Fetter Lane. He was well known and recognized by both British and American connoisseurs of fine art during the late 18th and early 19th century. These Regency candleholders are marked and embossed "Published by G. Penton Jan.Y 1 1808". The Egyptian motif, the sphinx like figures, and recumbent lion at the base, all indicate that Penton was most certainly influenced by Thomas Hope and his 1807 publication "Household Furniture and Interior Decoration". The ornate and detailed appointments; from the multiple medallions adorning the candle cups, rope and tassel design to the drip holders, to the fine quality representation of the sphinx, lion, and mask on the base, with floral leaf pattern to the perimeter, all are emblematic of fine quality Regency period household decorations. These are a unique and beautiful pair of Regency candleholders from an important maker and an impressive collection (see provenance below). Perfect for the discerning collector of 18th and 19th century antiques. The condition is outstanding and all original with no restoration. Dimensions: 10 3/4" high x 3" wide x 4 1/2" deep George Penton's work can also be found at St. Michaels Episcopal Church in Charleston, South Carolina where a brass chandelier with provisions for holding 45 candles still hangs. It is the oldest of these types of church chandeliers in America, and is referenced in an article in a May 18th, 1907 issue of The Atheneum. It was installed in 1804; information regarding this can also be found in "Written Historic and Descriptive Data, South Carolina, St. Michael's Church" prepared June 27th, 1941. Provenance: The Millicent A. Rogers Collection (See underside of candle holder image): Millicent Rogers (1902-1953). Noted Socialite, Fashion Icon, and Art Collector. Standard Oil Heiress and granddaughter to Henry Rogers...

Hand made Folk Art American wire metal and painted wood birdcage, probably from Pennsylvania circa 1905. Having a rectangular body with a dome top; suitable for hanging, or surface decorative presentation, this birdcage is functional albeit it lacks a perch. The single door entry/exit is spring loaded, and there is a metal slide out removable tray at the bottom. The tole painting...

Each Greek style classically draped male figure raising a three-light oil lamp shaped top on a square stepped plinth.

Pair of gilded and sculpted bronze candelabra with four branches each. The branches curve to form trumpets and foliated scrollwork on one end and sockets on the other end. The socket...