Antide Janvier Horological Masterpiece, Ferdinand Schwerdfeger Attributed Case

François Viger, reçu maître horloger reçu maître en 1744 Case Attributed to Robert Osmond (1711-1789), reçu maître fondeur en janvier 1746 Im...

Important white marble “Cercles Tournants” mantel clock. Gilt bronze mounts attributed to Pierre Gouthière. Paris, Louis XVI period, circa 1775...

Dieudonné Kinable Enamel Dial Attributed to Dubuisson (1731-1815) Exceptional Porcelain Lyre Mantel Clock from the Royal Sèvres Porcelain Manufactory Paris, late Louis XVI period, circa 1785-1790 Height 62 cm; width 26 cm; depth 16 cm The round enamel dial, signed “Kinable”, indicates the hours in Roman numerals, the fifteen-minute intervals in Arabic numerals, the annual calendar and the signs of the Zodiac, by means of four hands, two of which are made of pierced gilt bronze, the two others in blued steel. The magnificent lyre-shaped case is made of “bleu nouveau” Sèvres porcelain and finely chased and gilt bronze. The bezel is made up of a gilt bronze twisted rope; the pendulum is adorned with brilliant-cut paste stones; the body of the lyre is adorned with gilt bronze beading and with laurel leaf and seed motifs, with two rosettes issuing floral and foliate swags. The clock is surmounted by a mask with radiating sunrays. The spreading foot is decorated with beading and twisted rope motifs and a leafy garland. The en-suite decorated oval base is raised upon four flattened ball feet. The Royal Sèvres Porcelain Factory produced the lyre clock model as of 1785. Four colours were offered: turquoise, green, pink and bleu nouveau. These exceptional clocks were made for the connoisseurs of the time. Louis XVI had a similar clock in his Salon des jeux in Versailles; its dial bore the signature of the clockmaker Courieult (this is almost certainly the example illustrated in P. Verlet, Les bronzes dorés français du XVIIIe siècle, Paris, 1999, p. 41). Kinable, however, was the clockmaker who purchased the greatest number of lyre cases from the factory, and he developed the model in the late 18th century. Among the porcelain lyre clocks signed by this brilliant horologer, one example is in the Victoria & Albert Museum in London (illustrated in H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, Band I, Munich, 1986, p. 252, fig. 4.6.26). A second such clock is in the Royal British Collection (see C. Jagger, Royal Clocks, The British Monarchy & its Timekeepers 1300-1900, 1983, p. 130, fig. 176). Bibliography: M. Gay and A. Lemaire, “Les pendules lyre”, in Bulletin de l’Association nationale des Collectionneurs et Amateurs d’Horlogerie ancienne, Winter 1993, n° 68, p. 5-40. Dieudonné Kinable (active circa 1785-1810) One of the most important Parisian clockmakers of the late 18th century. His shop was located at n° 131 Palais Royal. He purchased a great number of lyre-type porcelain clock cases...

After a Model by Alexandre-Evariste Fragonard Rare Pair of Sèvres Bisque Porcelain Winged Lions Bearing Gilt Baskets Sèvres Royal Manufactory, Restoration period, circa 1...

The elaborately carved walnut case stands 155cm from the octagonal base and is topped by a foliage wreath. The imposing size and great quality make this an exceptional clock. The fine woodcarvings are unusually to be seen on both sides of the case, suggesting that this clock was intended as the centrepiece of a room, or to be placed in front of a mirror. The movement hangs on a compensated grid pendulum, mounted to a gilded drum with gilded bezels on the front and rear and functions as the pendulum. The oscillating count wheel striking movement with central sweep seconds knife edge suspension and pin-wheel escapement. The enamel dial with Roman numerals and Arabic numbers for quarters, half hour and hour, signed Janvier a Paris...

An unusual flame mahogany long-case clock attributed to Maples with a Smith & Sons 3-train movement, the case with a stepped base, the hood with two fluted columns and brass finials ...

Stunning tower of glass with a by-pod base and mirrored clock dial, This runs on a battery movement so no need to wind .

An exquisite figural bronze mantel clock with Putti leaning on clock face which sits on a fluted column draped in garlands and fabrics. Sitting on a r...

French Case Clock, Tall Case Clock, Grandfather Clock, Circa 1870, Pine case, Painted front, Clock face is framed by an intricate brass repousse fron...

Exceptional bronze doré and rouge griotte marble clock and candelabrum set by Ferdinand Berthoud. Signed “Fd Berthoud/Paris on the face. 19th century, good working condition and has...