Arthur WAAGEN Japanese-style clock set

This important silvered bronze, gilded bronze and white Statuary marble clock set was probably made around 1840-1844. The central group is depicting Mary of Burgundy on a falcon hunt...

This beautiful clock was made out of porcelain and gilded bronze during Napoleon III period. The porcelain dial indicates the hours with Roman numerals. It is decorated with gilded r...

This exceptional cartel presents a remarkable work of bronze and an ornamentation resuming the Boulle marquetry that can be attributed to Alfred-Emmanuel Beurdeley (1847-1919), a great Parisian cabinetmaker of the second half of the 19th century. The mechanism of our astronomical clock...

Beautiful little antique clock in the Louis XV style made by the clockmaker Gille l'Ainé in the 19th century. The dial is signed "Gille l'Ainé, à Paris". The curved forms, embellishe...

Mantel garniture with clock and pair of candelabras in brown patinated bronze on Statuary marble and gilt bronze pedestals. Equestrian statue signed and dated : « E de Nieuwerkerke 1843 » on the base and bronze caster's mark « Susse Edt » Dimensions of the clock : H. 84 cm (33”1/16) x W. 46,5 cm (18”5/16) x D. 24,5 cm (9”11/16) Dimensions of the candelabras : H. 90,5 cm (35”5/8) x W. 25 cm (9”7/8) x D. 25 cm (9”7/8) At the “Salon des Artistes Français” in 1843, the young Count Alfred Emile de Nieuwerkerke (1811-1892), then aged 32, presented a plaster equestrian statue entitled William I, known as the Taciturn, Prince of Orange. A great nineteenth-century sculptor, Émile de Nieuwerkerke is best known for having been Head Director of the Museums since 1849, and probably the most influential man on cultural policy in France until the end of the Second Empire. Nieuwerkerke's fervor for art began when he became passionate for sculpture, at the age of 23, and took classes with the great James Pradier and Baron Carlo Marochetti. His connections allow him to realize official commissions, including the busts of the Empress Eugenie and Louis Napoleon Bonaparte. The Count de Nieuwerkerke made a name for himself at the 1838 Salon with the exhibition of the group The Death of the Duke of Clarence that really launched his career. Having been a pupil of Carlo Marochetti, a sculptor of Italian origin, the young Nieuwerkerke can only be strongly impressed by the equestrian statue of the Monument to Emmanuel Philibert, Duke of Savoy created by the master between 1833 and 1838 and adorning the Piazza San Carlo of Turin in Italy. There is no doubt that this monumental statue...

This monumental fireplace was made in Belgian Petit Granit in the second half of the 19th century inspired by the Flemish Renaissance art answering the revival vogue of this period. ...

This beautiful clock set is designed in a fanciful Japanese style, known in France in the 19th Century as ‘Japonisme’. The style became highly fashionable in Europe after 1853, when ...

This Japanese style clock set was crafted in France in circa 1880. The set consists of a central clock, which is accompanied by two vases. The central clock features a gilt brass rectangular body with a pitched top, like a pavilion roof. The roof is mounted with wavy, silvered brass forms, and topped by a silvered brass ball finial, with a pointed end, which is bracketed by wavy forms. Mounted onto the four corners of the clock’s front facade are silvered dragons and cloud-like motifs. The central panel is recessed, and contains the gilt brass circular clock dial, inscribed with Roman Numerals. The centre of the clock dial is decorated with embossed flowers and a circular, red form, with a painting of a bird at its centre. The dial is signed with the retailer’s name, ‘ALEX'R M HAYS, NEW YORK’. The space below the dial is ornamented with relief flowers, a black porcelain triangle, which is overlaid with floral designs, and a dark blue porcelain fan, decorated with buildings. They are accompanied by the porcelain figure of a Japanese woman, wearing a kimono and seated at a koto. Similar recessed panels, featuring porcelain birds and coloured geometric forms, decorate the sides of the clock body. These are mounted with wavy, silvered brass shapes, which serve as handles. The clock body is set on a rectangular, silvered brass base, which is raised up on four bracket feet, and features a cloud-like silvered brass apron. The vases that accompany the clock have tall, soft-edged rectangular bodies, and are decorated in a similar style to the central clock. They likewise feature silvered brass finials, handles and bases, and gilt brass bodies, which are decorated with embossed flowers, geometric painted porcelain shapes, and Japanese figures. Unlike the clock, however, the vases feature full-length portraits of standing Japanese figures. One vase depicts a woman, who wears a kimono and raised wooden shoes (geta), and who holds a parasol and fan. On the other vase, the image shows a man dressed in a haroi jacket, with a kosode and trousers underneath, and sandals on his feet. He holds a knife and circular, metal shield, and carries a katana sword...

Rare Japanese clock in double patina bronze with suspended dial. The portico and dial, with calligraphic Kanji numerals complemented by hands featuring an undulating dragon, are deco...

Amusing bronze with double patina and porcelain clock in the shape of a covered jar. This clock, with a dial with Arabic numerals decorated in its center with a seated lute player, i...

This clock set contains three pieces: namely, a mantel clock and a pair of flanking candelabra. The mantel clock is designed about a Japanese porcelain vase, known as Imari ware. This white ground vase, painted in reds and blues and ornamented with foliate forms, functions as the clock case, the dial centrally mounted and encompassed by Rococo style gilt bronze motifs. This vase is supported by a gilt bronze base, which is profusely ornamented with gilt bronze acanthus leaves, garlands, and, most distinctly, a pair of putti. The vase is mounted with lion head handles to each side, also of gilt bronze, while the lid of the vase is topped by a gilt bronze finial in the form of a putto. The candelabra are similarly decorated and of similar construction, each one being built about a smaller Imari...

A very good quality late 19th century French gilded ormolu clock garniture, having a pair of five branch scrolling foliate candelabra either side. The white enameled clock face with ...