Bronze and Porphyry Clock by Julien Le Roy, 19th Century

Remarkable 19th century French Louis XVI style ormolu mounted white marble clock with love birds. Retailed by Tiffany. The clock is surmounted...

Exceptional Late 19th Century French Louis XV Style ormolu and Sevres style porcelain 3 piece clock garniture set Dial marked: Richond / Boult. / Montmartre 21 Paris; Movement marke...

Lovely French Napoleon III Boulle ebonized pedestal, 19th century. The pedestal is inset with a rectangular marble top, above a Boulle style brass inlaid column decorated with a central urn within a scrolling foliate motif, the corners are mounted with gilt bronze mythical...

Impressive 19th century French Napoleon III stone overlay ormolu mounted ebonized cabinet with black marble top. The shaped black marble top is over a gilt bronze mounted frieze in an leaf-tip motif with an egg and dart border, above a large single door...

Gilt bronze clock with patinated bronze figures of two angels sitting on the Crest of the clock. One holding an artist pallet and the other holding a sculptors Chisel depicting the...

Louis XVI gilded bronze watch. Enamelled dial with hollow hands White marble pedestal richly decorated with gilded bronze, and in the center a bas-relief with an ibex / goat symbol o...

Very fine quality French 19 century Louis XVI style Cherub motif Bronze and Marble Mantel Clock by Ferdinand Gervais

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...