Clock Fisherwoman with Shrimp by Paul Dubois and René Wallerand

Red Griotte mantel (fireplace) clock decorated with a patinated bronze group, Les bergers d'Arcadie (Shepherds of Arcadia) by Eugene-Antoine Aizelin (1821-19...

Large Louis XVI period portico clock in white marble, gilt bronze and blue earthenware in the Wedgwood style. The two posts are decorated with chased and gilt bronze motifs represent...

A Charles X period ormolu clock representing a winged genie playing the lyre in acanthus leaves populated by dolphins. The dial, decorated with two nymphs carrying a lyre on an altar, indicates the hours in black Roman numerals. The oval base is decorated with music trophies...

Early 19th century Restauration-period green vert-de-mer marble clock with gilt bronze decoration. The clock is topped by a Cupid reading in patinated bronze. The ormolu face marks t...

Clock representing the Coronation of Love or Love and Psyche after Claude Michallon. Psyche, dressed in a wet drapery held by a belt, leans over the central pillar in griotte marble to crown Amour, recognizable by his wings and his quiver at his waist. The gilded bronze dial with Roman numerals is set in the pillar decorated with a lyre surrounded by oak leaves. The rectangular base is decorated with leaves, crowns, garlands, trophies of arms and rosettes motifs. The ensemble is supported by four small winged claw feet in gilded bronze. This figure created by Michallon (1751-1799) during the Directoire period, after an antique marble from the Capitol in Rome, was a great success due to its elegance and the popularity of the subject of Love and Psyche in the 19th century. It was declined many times notably by Feuchère and Thomire. Some examples are kept in renowned museums such as the Château de Fontainebleau, the Musée Marmottan-Monet, the Hôtel de la Marine...

Clock in gilded and chiseled bronze representing a young woman sitting sideways dressed in the antique style, wearing a laurel crown and flowers, holding a veil above her head. She i...

"The mother", sculpture by Paul Dubois in brown patinated bronze, foundry Barbedienne (1829 - 1905) Measures: H: 66 cm, W: 24 cm, D: 32 cm.

René Lalique Art Deco opalescent glass clock with love birds or cockatoo. Lalique design, signed in script on the bottom, Lalique, france. Excellent condition with a very nice origin...

Magnificent composition for this bronze sculpture with brown patina. Charity (such is the name of the work) is represented here in the form of a young woman breastfeeding infants. He...

Antique Mantel Clock with Herdsman Family, Goats and Cattle A Black Forest wooden carved mantel clock with a lovely herdsman family with their goats and cattles. A masterpiece of woodcarving which brightens up any chimney piece. The clockwork is replaced by battery driven one - working order. Soberly considered mantel clocks are small pendulum clocks with feet...

A palatial, extremely rare, and important Napoleon III French ormolu and patinated bronze regulateur de parquet clock, by Louis-Constantin Detouche, Paris, circa 1850. The clock case made form the finest French ormolu, with 2 very large patinated bronze seated putti The white enamel dial Signed C. DETOUCHE/ PARIS. The clock movement is numbered 7064 and stamped with maker’s stamps C. Detouche RUE st. MARTIN and C. DETOUCHE 158 R. St MARTIN 160, with medaille d’argent stamp, on a serpentine part ebonized mahogany plinth. At over six feet tall, the present clock is impressive in scale and rare in Detouche’s oeuvre. While other large clocks were produced by the firm, few of this scale are so overtly decorative and usually incorporate greater mechanical complication. For example, a gilt bronze astronomical regulator clock...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...