French Empire Period Ormolu Bronze Mantel Clock of Ceres, circa 1815

A FINE LATE GEORGE III RED LACQUERED CHINOISERIE DECORATED SIX-BELL WALL CLOCK Stroud, England, circa 1830 dial engraved "Rich'd Camm / Stroud" with a chiming six-bell movement Ite...

REGENCY STYLE GILT AND FAUX-PORPHYRY IRON ATHENIENNE JARDINIERRE Early 20th century, likely designed to be used as a jardinierre Item # 407MYK10M Unusual and eye-catching, this bold Regency-style athenienne is cleverly designed entirely out of iron, the surface of which has been decorated with parcel gilding, a baked enamel that simulates pophyry marble and polychromed uprights. The vessel has drainage points in the bottom that insinuate it was designed to be used as a jardinierre. This is surmounted by gilded lion masks with rings in their mouths over the tripart columnar supports stretched on a triangular mid-tier shelf, the loosely klismo legs swirling and curving outward over gilded animal...

LOUIS XVI STYLE ORMOLU-MOUNTED PARQUETRY INLAID BEDSIDE CABINET WITH BRECHE VIOLLETT MARBLE TOP Retailed by Mercier Frères, labeled inside drawer circa early 20th century label on ...

EUGENE AIZELIN French, 1821-1902 Bust of a Young Woman (1864) Patinated bronze raised on an original turned rouge marble base over brass rim signed on shoulder "Eug. Aizelin 1864"...

Resting on four very elegant feet the clock features a rectangular base decorated on three sides with classical motifs. The face features a pair of Sphinx flanking a wreath with lau...

Large French Charles X period ormolu clock representing Ceres. A monumental clock of very fine quality and with totally original fire gilded ormolu. T...

Empire period ormolu and enamel Ceres mantel clock after Thomire. French, c.1810 Measures: height 46cm, width 38cm, depth 13cm. This superb mantel clock was made in the First Fr...

Ormulu pendule with depiction of friendship and love Paris (Lepaute, Thomire) fire-gilt bronze Empire around 1815 Dimensions: H x W x D: 44 x 36 x 13 cm French pendulum movement with eight days duration. Thread suspension and lock disc striking movement with strike on bell on the half and full hour. White enamel dial with Roman hour numerals and Breguet hands. Signature: LePaute & Fils / Hrl. du Roi (Pierre-Basile Lepaute (1750 - 1843) with his son Pierre-Michel Lepaute (1785-1849); from 1811 in joint workshop). Description: The extremely high quality pendulum shown here takes up a profound theme: Friendship, which combines with love and can thereby outlast time and death. As it is typical for the epoch of classicism, personifications and symbols are taken from the fund of ancient mythology and art and then developed further. The main figure is a young woman in an antique, girded garment, standing barefoot and with crossed legs next to an altar, on which she is leaning with her left elbow. She gracefully bows her head towards a tempestuously approaching Cupid, grasps his right hand with her left and draws him to her bosom, the seat of the heart. The delicate ambivalence of flying towards and being held culminates in the trustingly intimate look that the two cast at each other. The young woman personifies friendship, the winged Cupid love. As a sign of their intimate connection, two burning hearts appear on the altar next to the two, framed by the puffed scarf, which are closely bound together by a chain of flowers. Next to them, on the altar slab, one can see an erected book with the title "Amitie" (French: amitie, friendship). Supporting the book is a pomegranate held by a ring of pomegranate flowers. The bursting seeds spill out of the cracked skin. Since ancient times, the pomegranate and its blossoms have been dedicated to the goddess Persephone, symbolizing the underworld and death, but also life and fertility. The myrtle interwoven in the pomegranate flower wreath of "friendship" also has a far-reaching symbolic power: the plant was dedicated to the goddess Aphrodite, stands for virginity, and was and is therefore obligatory in the bridal wreath...