A late Louis XVI marble and ormolu portico clock

A very fine mid Victorian skeleton clock by Johnston of London, of large rectangular form comprising two openwork arabesque panels parti A very fine mid Victorian skeleton clock by Johnston of London, of large rectangular form comprising two openwork arabesque panels partially shielding the fusée bell striking movement, the polished scroll frame raised on shaped turned pillars, the foliate scrolled silvered and engraved dial with Roman numerals joined with delicate thistle motifs, housed in its integrated glazed brass case applied with a silvered maker’s labels stating ‘Johnston, 2 Elm Street...

A superb Napoleon III Lyre clock by 'Raingo Press, Paris' with an exquistely painted enamel face and finely cast ormolu hands in the shape of lyre. The move...

A Victorian brass novelty clock by Elkington & Co., in the form of a double steering-wheel, one wheel enclosing a clock and the other a barometer, with ...

The case carved in high relief with scrolls and an acanthus leaf finial, the gilt face finely chased with further scrolls and signed on the dial, with a discreet/silent lever above t...

A charming and high quality French 18th century Louis XVI period ormolu, Gris St. Anne and white Carrara marble clock, signed 'Mailland, a Paris'. The clock is raised by six mottled ...

An exquisite and high quality French 19th century Louis XVI st. white Carrara marble and ormolu Portique clock, signed "Tiffany'. Raised by a marble base with ormolu topie shaped supports. Above are two columns decorated by finely chased floral ormolu mounts. The columns are flanked by two fluted tapering ormolu design elements. The enamel dial has a foliate garland at the center and ormolu pendulum. At the top crown is an ormolu floral basket with two lovebirds...

A spectacular and extremely high quality French early 19th century Louis XVI st. white Carrara marble and ormolu clock, signed Simona à Paris, circa 1819. The clock is raised by six elegant topie shaped feet below the exceptional and most decorative scallop shaped white Carrara marble base. The base displays an exceptional stepped design and beautiful pierced baluster like wrap around ormolu gallery with a fine twisted ribbon fillet and central rosette. Leading up each side are impressive columns raised by square supports with exceptional concave sides decorated with fitted pierced foliate ormolu mounts, and rosettes encased by unique posts and chains. The columns are each adorned with lovely swaging ormolu fabrics, tassels, and an exquisite array of beaded and twisted ribbon ormolu fillets leading upwards to the superb ball and chain pendants. Above the beautiful pendulum with two intricately detailed rooster heads and central sun mask is the elegant enameled clock face with Arabic hour and minute markers with pieced hands with the rare inclusion of a second hand framed within an outstanding and finely detailed ormolu band of intertwined ropes. Above is a handsome richly chased Roman soldier wearing a cape and holding a dagger and sheath...

A spectacular French 19th century Louis XVI st. white Carrara marble and ormolu clock, signed Samuel Marti. The clock is raised by six beautiful circular ormolu feet with fine fluted...