Leila and the Giaour Gilded Bronze Clock, France, Circa 1830

Charming clock in the shape of a Rocaille-inspired cartel in chiseled and gilded bronze. Scalloped marine-inspired decor representing a trophy with oars, dolphins, reeds and flowers ...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

A Monumental 19th Century Regency Style Gilt-Bronze Inlaid Grand Cartel de Applique, In the Manner of André-Charles Boulle. This impressive and large cartel clock has a circular, arabesque chased, brass dial with Roman numerals on enamelled cartouches, with engraved seconds and steel hands. The rear of the clock is open cased. The dial sits within a waisted case, with large acanthus mounted gilt-bronze volutes, surmounted by a palmette mascaron and a figure of Jupiter as a child and an enamel cartouche signed ‘Thuret A PARIS’. It is supported on large foliate mounted scrolls and decorated to the sides with Boulle marquetry panels and lion mask mounts. An eighteenth-century version of this clock by ‘Mynuel A Paris’ (Maitre 1720) is illustrated by Tardy in ‘La Pendule Francaise’, 1ere partie, p. 141. Initially conceived by C. Cressent, the design was further refined by A.C. Boulle before being embraced by J.J. de Saint-Germain. The earliest examples of this distinctive style bear the signature of clockmaker J. III Thuret. Only a handful of identical specimens of this model are known to exist. One such identical piece resides in the Frick Collection in New York, originating from the Dalva Brothers...

An extremely rare and important French Empire mantle clock signed by the master clock making dynasty of Jean-Andre Lepaute and his brother Jean-Baptiste Lepaute. The case, in the form of an antique portal...