Ebony Mantel Clocks

A miniature French skeleton clock with silk suspension and eight day movement, dating from the mid 19th century, with original glass dome on an ebonised and brass inlayed base with enamel dial. This clock was made by Victor Athanase Pierret whose distinctive VAP mark in an oval is stamped on the base of this clock. He exhibited a small skeleton alarm at the 1851 Great exhibition at Crystal Palace of which this may well be a version. Victor-Athanase Pierret (1806 - 1893) Victor-Athanse Pierret was born 1806 in Bucy-les-Pierrepont. He began his five year apprenticeship with Rolin at the age of 13. Later he moved to Paris and settled in the Rue des Bons-Enfants no. 21 when he was 24. Pierret created pendulum clocks with and without calender indicator, cases for ship’s chronometers, chronometer escapements with temperature compensation and night light clocks with pendulum. At the London Exhibition of 1851 he presented an alarm clock and a pendulum clock with a globe. In 1853 Pierret applied for a patent for a new date indication device, in 1855 he patented an 8-day power reserve movement. Pierret created his own watchmaking tools...

A very fine triple fusee quarter chiming bracket clock in an ebonised case in remarkable original condition. The eight day triple fusee movement with anchor escapement and long heavy bob pendulum and hold fast, chimes on a nest of eight graduated bells with a seperate bell to strike the hours. The movement also has a pull correction lever. The cream painted roman dial is fitted behind the original convex glass held in with a brass ogee bezel, the case has front and rear locks with the movement visible through a glaze back door. The movement is housed in an oak case veneered in ebonised fruitwood with brass case decorations and fish scale sound frets backed with yellow silk, the break arch top is surmounted by a single brass bound pad. The dial and back plate both signed by Thomas Bray, the movement is also stamped J Thwaites 4677 on the front plate behind the dial. This leads us to believe this is one of the two clocks recorded as being made by Thwaites for Thomas Bray to retail. The serial number can be traced in the Thwaites day books and dates the clock to 1811. John Thwaites was a prolific clock maker who specialised in quarter chiming and musical clocks often manufacturing movements for some of London’s most prestigious clock makers. John Thwaites was Master of the Clockmakers Company in 1815, 1819 and 1820, his company eventually went on to found the famous Thwaites and Reed company. Examples of Thomas Bray’s work can be found in the British Museum, John Thwaites clocks...

A miniature French skeleton alarm clock with silk suspension dating from the mid 19th century, with original glass dome on an ebonised and brass inlaye...

Miniature Ebonised Religieuse or Bracket Clock originally sold by Dent. With engraved bone inlay, brass finials and balustrading. In the manner of a 17th century baroque clock with b...

A Rare 18th-Century Georg II Grande Sonnerie Striking Spring Table Clock by William Poulton, London, C.1750 Watchmaker to the King of Spain. A small and extremely attractive English eighteenth-century grande sonnerie striking spring clock with an ebonised fruitwood veneered oak case, made circa 1750. The inverted bell top case is glazed on all sides so that the movement is almost entirely visible. The case is surmounted by a brass handle and rests on shaped brass feet. The dial, which is shaped at the top, has a silvered Roman and Arabic chapter ring, surrounded by silver rococo spandrels. In addition, there are two subsidiary silvered rings in the shaped top, the right one for rise-and-fall regulation, the opposite for switching off the striking mechanism (strike/silent). The date is indicated in a date aperture situated above the XII. The maker has signed the dial at the top between the subsidiary rings in the following way: William Poulton Watchmaker to the King of Spain London The time is indicated by a pair of finely made blued steel hands on the silvered chapter ring. The eight-day triple fusee...

An early English eight-day spring-driven table clock signed Henry Massy London, dating to the period c.1695-1700. The elegantly proportioned ebony-veneered early inverted bell to...

This great early arched spring clock has a 7-inch dial with unusual flower and scroll spandrels, matted centre with mock pendulum aperture. The upper corn...

This exceptional three-train chain fusee musical diorama clock is a horological, mechanical and artistic masterpiece. When melodic bells strike the hour, a brass curtain below the di...

The elegantly proportioned ebony-veneered basket top case has Fine cast brass ornaments to the door and rectangular windows to the sides so that the exquisite movement is almost enti...

John Roger Arnold (1769-1843) was the son of the eminent chronometer maker, John Arnold. He was apprenticed to his father, who later sent him to the most d...

Lewis. F. Day, attributed, an Aesthetic movement ebonised and enamel mantle or bracket clock. Possibly retailed by Howell & James of Regent St. A French striking 8 day movement wit...

Liberty and Co Attributed. An Arts & Crafts oak mantle clock. The silvered dial flanked by subtle inverted sweeps to the sides with chevron string inlays to...