Mental Clock Lepatue a Paris

This clock was made by Jean-Baptiste Baillon III, one of the most skilled and innovative makers of his day. He supplied the most illustrious clientele, not least the French and Spanish royal family as well as distinguished members of Court and the cream of Parisian society. This is a unique, authentic antique French table or mantel clock, which is in finely chiseled and gilded bronze. The dial has outer Arabic numerals and inner Roman numerals with a fine pair of pierced gilt brass hands for the hours and minutes. Next to the clock is a tall lady figurine, accompanied by a child. The woman is holding a book in her right hand and a feather pen...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

This elegant portico clock crafted in transitional Louis XVI – Empire style from ormolu, white and black marble, is signed on the dial “Arnoux à Paris”. Decorative motifs of Louis XV...

Louis XVI style Ormolu Mounted long case clock by H&F À PARIS This clock is from 18th century Louis XV The special thing is that it runs accurately, and the power reserve is 12mon...

This is a unique, authentic antique French table or mantel clock. It is in finely chiseled and gilded bronze. The dial with outer Arabic numerals and inner Roman numerals and a fine pair of pierced gilt brass hands for the hours and minutes. Next to the clock is a tall lady figurine, accompanied by a child. The woman is holding a book in her right hand and a feather pen in her left hand. On the other side, the child draped in the Antique is standing on books and holding a paper. The white marble base rests on four small spinning feet. This clock was made by Jean-Baptiste Baillon III, one of the most skilled and innovative makers of his day. Baillon achieved almost unprecedented success to become “the richest watchmaker in Europe” - F.J. Britten. He was also one of the most important clockmakers of the eighteenth century and undoubtedly the most famous member of a long line of clockmakers. His success was largely due to his ability to organise a vast and thriving private factory in Saint-Germain-en-Laye which was unique in the history of eighteenth century clockmaking. The renowned horologist, Ferdinand Berthoud was among many to be impressed by its scale and quality and in 1753 noted that Baillon’s “house is the finest and richest Clock Shop. Diamonds are used not only to decorate his Watches but even Clocks. He has made some whose cases were small gold boxes...

Mantel clock 18th Century styl Boulle by JOSUE PANIER À PARIS.

A Rare and Exceptional Gilt and Patinated Bronze Monumental Cercles Tournants Clock Garniture, by Deniere, Paris. The backplate signed 'DENIERE...

Style of Robert Osmond, circa 1776. Movement signed 'Freres, Paris,' third quarter of the 19th century.

Early 1900's French Boulle Clock. A true masterpiece of craftsmanship, this exquisite timepiece is a symphony of chiseled and gilded bronze, adorned with the richness of imitation tortoise shell and embellished with intricate brass inlays. As you look at it, you will be mesmerized by the fusion of these elements, which come together in harmonious perfection. The clock stands regally on a shelf, anchored to the wall, commanding attention with its presence. Its Louis XV style exudes an air of refined elegance, recalling an era when art and beauty were held in high esteem. Marked "THURET PARIS...

Gilt bronze and marble mantel clock, signed F. Berthoud, Paris, France, early 19th century. Clock works.

A fine quality French 19th Century gilded ormolu and patinated bronze clock garniture, having a pair of seven branch flower like candelabra, being supported by putti, raised on circular plinth bases with scrolling decoration. The clock having bronze patinated mother and three children, one sculpting, one painting and the other reading. Mounted on this beautiful gilded ormolu base with flowers, shells and foliage. The eight day duration clock chimes on the hour and half hour and is signed; Raingo Fres...

A good and very unusual Louis XVI mantel clock in a form of a soldier with the drum on his back carrying the movement. The lovely patinated bronze mounted on a typical early Louis XV...