Striking Cloisonne and Bronze Mantel Clock

Late Victorian walnut break arch mantel clock standing on a raised plinth and resting on four outswept gilded paw feet and surmounted by four flame finials and a central finial. H...

Edwardian mantel clock housed in a break arch case with raised chinoiserie decoration on a black ground and resting on a wavy plinth. Brass bezel opening to the silvered dial with en...

Bronze and marble mantel clock from 18th century signed De Bontems a Pairs: Measures: 13.5" x 4.5" x 21.5" Weighs: 23

Mahogany mantel clock in a break arch case with brass columns to either side, brass inlay to the front and surmounted by four brass finials. Beautifully d...

Stunning bronze doré mantel clock, Louis XV style, floral and leaf crown with scrolling motif, trellis design frame with silk lined interior, mounted on b...

A gothic revival bronze and brass bracket clock with a 5-inch silvered convex Roman dial. The twin fusee movement strikes on a bell, with a heavy high quality pendulum and hold fast...

Empire bisque and bronze doré' mantel clock.  

This stunning clock sits at 23.50 in. Perfect for any desk or study décor. Inspired by the early 1800's. Polished regularly.

This mid century mantel clock is of exceptional quality, housed in a gilt and enamel case the blue enamelling flecked with gold imitate lapis...

Egyptian Revival Bronze and Marble Mantel Clock Egyptian revival mantel clock housed in a polishes black slate and marble stepped case, decorated with winged uraeus and hieroglyphs, surmounted by a patinated bronze sphinx wearing nemes and resting on lions paw feet. Enamel dial with Arabic numerals and original ‘blued’ steel hands. Eight day French movement with anchor escapement striking the hours and halves on a silvered bell. The backplate signed Societe Clusienne S.C.A.P.H. Cluses and numbered 4144. C.1870 Societe Clusienne were based in Cluses near to the Swiss border in France. The case attributed to G.Servant Georges Emile Henri Servant ( 1828-1890) succeeded his father at their foundry at Rue Vieille-du-Temple, Paris in 1855. He specialised in the production of Neo-Egyptian style clocks. He was noted for the high quality of his bronzes at both the Paris Universal Exhibition 1855 and the London Exhibition in 1862. Many of his clocks were exported to the United States where his Sphinx clocks...