Metal Clocks

Griotte marble and gilt and patinated bronze clock garniture by Graux French, c. 1870 Clock: Height 80cm, width 40cm, depth 33cm Candelabra: Height 82cm, width 40cm, depth 40cmvarious This fine three-piece set includes a mantel clock and a pair of candelabra. The pieces are crafted from bronze—both gilt and patinated—and rich griotte marble. The clock features a griotte marble truncated column shaped base, which is adorned with gilt bronze mounts, such as a low relief plaque and beading. The front of the case is inset with a dial within a gilt bronze bezel and beneath glass. Strikingly, the clock case is surmounted by a large and impressive patinated bronze sculptural group after an original by Clodion, which depicts two nymphs carousing with musical instruments and bunches of grapes. The candelabra are similarly decorated, each with a conforming marble base. The stem of each candelabrum is modelled as two patinated bronze figures holding aloft the candelabrum head, which issues seven gilt bronze branches: six scrolling branches and one central one. The clock dial is signed 'Jules Graux...

Fine 18th century English tallcase clock, the 8 day movement with brass face and silvered chapter ring by John Glover, London, the case of provincial manuf...

A Good French mantel clock garniture By Charles Oudin, Paris The garniture comprising a clock and two candelabras, constructed in gilt bronze and ‘Se...

Louis XV style gilt bronze and porcelain Imari mantel clock and garniture.

Gilt-bronze and Tortoiseshell Clock and Barometer set by Gleizes French, 19th Century Height 115cm, width 30cm, depth 7cm In the Louis XV style, t...

French Louis XVI style carved giltwood mantel clock French, early 20th Century Height 60cm, width 39cm, depth 18cm This elegant mantel clock is crafted from giltwood and designed in a classical style. The clock features a large circular enamel dial set within a giltwood drum. The drum is surmounted by an urn finial and is supported atop an entablature complete with floral motifs and large ball finials. The entablature is raised on four columns, each with a profile bust capital, which in turn are set on a base raised on toupie feet. The base also hosts a carved seated figure...

Three-week duration, striking half and full hours. The enamel dial signed 'Dartois Fils à Paris'. Dartois was, just like Galle, Ledure, Raviro and Thomire, one of the leading and mos...

Silvered bronze mantel clock, signed on base and documented.

Austrian Biedermeier period gilt and polychromed wood clock. Chiseled gold Swiss movement, signed: P.Francois a' Nion.

Rare Louis XVI period enamel and gilt bronze clock on a black marble base.

Empire period gilt bronze figural clock representing Amour & Psyche.

A French white marble and gilt bronze mantel clock. Signed A. Paris on face.

California artist Garry Knox Bennett (1934 - 2022), best known for his whimsical art furniture, originally started out making jewelry in the late 1960s. By the early 1970s he'd branc...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...

This monumental longcase regulator clock crafted in the resplendent Louis XVI style is both a marvel of horological innovation and a paragon of arti...

This beautiful French vitrine clock styled in the Moroccan taste is an exquisite work of artistry and craftsmanship. Featuring a clock, thermometer and barometer, no detail has been overlooked regarding its functionality, design and construction. This magnificent clock rests on four bracket feet with gadrooned ormolu bases atop a square red marble plinth...

Hallmarked in London in 1907 by William Comyns, this fine, Edwardian, antique, sterling silver clock, has an elegant, smooth, curved body, with a white and blue enamelled, numerical ...

An impressive French mantel clock by LeCat of Paris. Constructed in the Louis XV manner, the monumental gilt bronze framework housing hand-painted porcelain plaques of nautical sc...

An unique wall clock with an enameled elongated rectangular face, off-center dials and square hour markers.