Early 19th Century Clocks

Swedish 19th Century painted long case clock or Grandfather clock. This Scandinavian folk art clock is from the region of Småland, where the village of Lönshult is (see the name of t...

A fine antique Georgian Regency period tall case 8 day inlaid mahogany grandfather clock with a rocking figure of Old Father Time, by Andrew Rich of Bridgwater Somerset, circa 1820. The clock is made of the finest figured flame mahogany & inlaid with satinwood stringing, the clock hood with twin arched 'swan's neck' pediment with brass rosettes & a central brass urn shaped finial. The hood door is flanked by a pair of turned columns with gilt brass capitals & bases, the door enclosing a painted dial with gilding & floral spandrel panels. The clock having an unsul feature of a winged Old Father Time, holding his scythe he rocks backwards & forwards in unison with the pendulum. The dial with black Roman numerals and having a seconds dial and also a calendar dial, the clock is signed to the center "Rich Bridgwater" (a prosperous historic coastal town & port in the Somerset area of the Southwest of England). The trunk of the case with carved 'ropetwist' pilasters, the door & base inlaid with satinwood stringing, the clock is raised on bracket feet. The clock has an eight day mechanism & strikes the hours on a mellow sounding bell, the clock chime can be silenced by not winding the chime arbor, original pendulum & weights, winding key is present. The clock is in excellent antique condition & has just been professionally cleaned and overhauled by a professional clocksmith, it keeps very good time, this elegant antique tall case clock...

Antique George III quality brass face oak longcase clock by William Lister having a quality oak case with an arched top, two turned columns, ...

A gold, antique French table clock, pendulum made of hand crafted fire-gilded bronze, in good condition. The circular enamel dial of the Pa...

Country long case clock in rococo style from northern Sweden. This clock is a genuine antique from around the 1820s. The carved wooden decor is original and the paint is also origina...

Small mantel clock with bas-relief France Bronze, enamel early 19th century Dimensions: H x W x D: 33 x 19 x 9 cm Description: Antique, fire-gilt portal clock with figurative, Gre...

Swedish antique clock cabinet made during the early to mid 1800s, circa 1820 to 1840. The cabinet is veneered and waxed elm. The lower cabinet is...

A beautiful Seth Thomas long case clock, circa first half 19th century. Features an American poplar case in Early American styling with an open pediment, c...

Excellent mantel clock made of fire-gilded and patinated bronze from the early 19th century: Structure in the form of a tall oval, smooth, fluted stepped gilded base, recessed body m...

Genuine Swedish long case clock from Hälsingland. The clock is genuine and honest with a traditionally hand-made case with a rococo shape. Made in Swedish pine with the original blue...

Antique Walnut Wall Clock, having a quality carved walnut case with original turned finials, reeded columns and solid walnut carvings and gla...

Rare and wonderful antique clock from the early 1800s. Marked: S. Devaulx, Paris. Having an impressive, stylish and sizable antique clock like this gracing your mantel piece or sid...

A French Empire table clock, first half of the 19th century. Measures: Width 30, depth 11, height 38 cm. Key included. Later added hatch at back. F...

Small Gothic table clock with gilt bronze (or possibly golden) pocket watch by John Worboys of London, 1780-1810. We know too little about antique ...

The case of the grandfather clock is made of mahogany and was possibly made by the watchmaker Nathaniel Edgecombe. The clock is from Bristol England, circa 1830. + The ship in the d...

Fantastic quality large antique Victorian mantle clock, having outstanding quality gilded mounts of classical figures of a lady, cherub ...

Stunning antique Victorian quality burr walnut mantle clock, having a quality burr walnut case with carved scrolls, circular dial with Roman numerals ...

Antique Swedish Mora clock from the 1800's. Original paint; grey with gold detailing. Not function tested. Measures: Width:58cm / 22.8" Depth: 20cm / 7.8" Height: 215cm / 84.6".

Empire mantel clock made of fire-gilded bronze. The scene shows a putto in a richly decorated chariot pulled by a jumping poodle. The clockwork is elegantly integrated into the wheel...

A quality Victorian Marble mantle clock with black Roman numerals with a white enamel face, the bronzed figural case surmounted by an Elizabeth...

Antique Mahogany Drop Dial Wall Clock, having a quality mahogany circular glazed door opening to reveal a painted dial with original hands and an 8 day movement above a drop case wit...

An exquisite French Empire ormolu and cut-crystal clock, c. 1815, attributed to Baccarat. Made from the finest quality mercury gilding ormolu, this c...

Antique Victorian quality marble eight day mantle clock having a quality black marble mantle clock with ornate gilded brass mounts, circular ornate brass dial with the original hands...

Elegant quality French 19th century gilt metal and porcelain mantle clock, having a quality antique Victorian mantle clock with a beautiful blue and white porcelain dial decorated wi...

Quality antique Victorian walnut Vienna wall clock, having a quality walnut case with fantastic carved columns, the original turned finials to the top and bottom, a single glazed doo...

French Louis XVI tall case clock, c1800. They also are referred to as “St Nicolas-Clock” because they were made around the village Saint Nicolas d'Aliermont in Normandy. The oak case...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

With arched bonnet with brass finials over a convex glass bezel opening to a steel clock face. Newly cleaned and put in ready to go condition. The case with pendulum door. Weights, k...

Antique Julien Leroy French Louis XIV Rococo Gilt Bronze Mantle Clock Signed C1820. Measures - 12 1/8" x 16 1/4" x 6" An exquisite antique mantle clock...

Biedermeier Mantel Clock, Early 19th Century A sophisticated Biedermeier mantel clock, crafted in Austria circa 1810–1830. This exceptional piece combines timeless elegance with out...

Large fire-gilded bronze pendulum clock on lion's paws with a rectangular pedestal featuring lyre and torch motifs. Above it rises the full-figure depiction of the god Apollo with a ...

French figural cherub gilt bronze and marble three piece clock set flanked by gilt bronze marble sphere six light candelabras, central clock fla...

George III grandfather clock with silver-plated dial Scotland (Aberdeen) Mahogany George III around 1820 Dimensions: H x W x D: 222 x 47 x 23 cm Description: Beautiful antique Scottish grandfather...

Antique George III quality mahogany 8 day longcase clock having a quality mahogany case with a swan neck pediment, turned columns, mahogany and glass arched shaped door opening to re...

Antique Empire Gold Gilt Patinated Bronze Ormolu Mantel Clock French, c. 1810 Height 48cm, width 31cm, depth 20cm A superb example of early 19th-century French decorative arts, thi...

American Federal mahogany one day tall case clock with the original brass ball finials resting on three carved upper capitals, decorative intertwined fret work, arched hood with bras...

An exceptional Federal cherry tall case clock with a brass eight day works signed Jedediah Weiss Bethlehem, with beautiful inlay including a contrasting fan carving above the waist d...

Exquisite mantel clock made of fire-gilded and patinated bronze from the early 19th century: Structure in the form of a rectangular gilded base on four conical feet with chiselling, ...

A fine & rare antique Georgian Scottish inlaid mahogany eight day tall case grandfather clock, by Patrick Bews, Kirkwall, Orkney Islands, circa 1810. Just professionally serviced and overhauled by a professional clock-smith. This very rare antique clock...

Miniature Empire Bronze Clock - Matelot Paris fire-gilded and patinated bronze early 19th century Dimensions: H x W x D: 18 x 14 x 9 cm Description: Very rare miniature of the famous Pendule Matelot "Au Bon Sauvage". The depiction deals with an important topic of the time, trade with the colonies. The rectangular base stands on pressed ball feet. Attached to the front, we see two cornucopias filled with exotic fruits and held by a bow. A young sailor, dressed in a raffia skirt and feather jewellery...

Empire period portico clock in white marble and gilt bronze, 19th century This Empire period clock (circa 1800-1810) is composed of a marble terrace topped by two flat columns decor...

Typical form with white enamel dial and reverse painted waist and pendulum door. With key and pendulum.

Portal clock on a rectangular, stepped base in mahogany veneered with small bun feet. The stepped architrave is supported by four smooth columns, the capi...

Outstanding quality antique Victorian brass French mantle clock, having a late 19th century French eight day mantel clock with a quality brass temple shaped case, having circular dia...

Shipping special update - We have negotiated a special flat rate shipping cost to the USA with our main US shipping partner for our 1st dibs clients of only £995 export crated by ai...

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.

This could possibly be one of the most rare and fine longcase grandfathers clock to have ever graced our 102 year old business. Signed on top of the hood/bonnet by Haig & Chippendale...

Pretty antique Victorian marble mantle clock, having a quality antique Victorian marble mantle clock with pretty blue, green and gold decoration surrounding the brass bezel and porce...

Splendid wall clock set in an elegant opening wooden case, with carved frame and golden tablet. The internal finishes of the clock are also in golden tablet and brass. The decoration...

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Swedish antique mora clock dating from early/ 1800s featuring green paint with orange details that is painted on the body. The clockwork is sold 'as is' and should be considered as...

Stunning quality antique Victorian walnut Vienna wall clock having turned columns, the original finale's with a wonderful shaped top mounted with carved leaves and a shaped bottom. S...

Period French Empire Bronze Doré and Patinated Clock Depicting Atlas with original gilt edged and velvet lined case. Atlas son of Titan, from Greek mythology is holding the clock on ...

This is a Swedish Mora Clock 100% Original Paint "Sven Nilsson Morin model " the old works have been removed and New battery works installed. I do offer the Original works with ...

An Exquisite Period Empire Clock, featuring Cupid (in patinated bronze) with his bow & arrow, next to him a quiver & torch. The body of the clock with bas relier decoration and anthe...

Antique George III mahogany and oak longcase clock by Hudfon of Nottingham having a quality inlaid swan neck pediment and central brass finial above an ar...

Gilded and chiseled bronze clock. On the large rectangular base there is a scene with mythological divinities in relief on a finely chiseled background. Decorations with plant motifs...

19th century Folk Art tall case clock from Luleå Norrbotten, Northern Sweden. Made in wood. Nice details and beautiful carvings. Beautiful handpainted flowers on the front. The M...