19th Century Antique Skeleton Clock, England, circa 1850

Antique mantel clock on the theme of astronomy France Bronze Charles X around 1830 Dimensions: H x W x D: 48 x 19 x 10 cm Description: Unusual and beautifully crafted bronze mante...

19th Century French mantel clock France (Limoges) Ormolu around 1840 Dimensions: H x W x D: 37 x 22 x 10 cm Description: The bronze, cast in relief and then fire-gilded, stands on...

Very rare "Au Bon Sauvage" mantel clock France Fire-gilt and patinated bronze Empire around 1810 Dimensions: H x W x D: 34 x 41 x 13 cm Description: Extremely rare French bronze m...

Antique vase clock France Fire gilded bronze Empire around 1820 Dimensions: H x W x D: 41 x 13 x 12 Description: Beautiful all gilt French mantel clock. The basic form is in the shape of an urn vase with lid...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

Antique mantel clock with calendar in ebonised wood. France Wood, brass Mid 19th century Dimensions: H x W x D: 37 x 22 x 17 cm Description: French mantel clock from around 1840-1860. The case is made of ebonised wood with brass thread inlays. On the front we see behind glass the white dial with black roman numerals and gilded bezel. Also gold-plated are the beautiful original arrow-shaped hands. The hands of the two-part calendar are also in the same design. On the left is the day of the week and on the right the day of the month. On the back is a wooden flap that protects the movement from dust. If we open the flap, we see the high-quality French 14...

Stamped, French late 19th century skeleton clock. Made out of Mahogany wood and brass. Porcelain dial with roman numeral details.

A super lyre-shaped mid 19th century skeleton clock by Haynes of Stamford, with the original mahogany base having an engraved makers plaque, wit...

A wonderful example of an iron clock dial with hands, painted Roman numerals, and motion works, as well as the original counterweight. Probably American in origin, from a tower or bu...

Antique mid 19th century 8 day skeleton clock. Centrally mounted on wood base featuring exposed Fusee movement and protected from dust by a glass dome.  

A Classic two dimensional French Empire skeleton clock, the finely chased and mercury gilded case depicts Amour holding a flaming torch and a banner, symbol of war, seated on a quiver full of arrows and set on top of the dial and movement. The dial is framed by two vestal virgins...

Antique skeleton clock, France, circa 1900.