English Tripod Table Regulator Clock by Thomas Cole, Retailed by Hunt & Roskell

A Fine Louis XVI Style Gilt-Bronze Cartel Clock, by Beurdeley. Signed 'A Beurdeley Fils à Paris'. Surmounted by a ribbon tied globe the gilt-bronze case of this fine cartel clock...

A fine Louis XVI style gilt-bronze mounted mahogany cartel clock and barometer, after the model by Martin Carlin. French, circa 1870. The dial sig...

A fine gilt bronze and champlevé enamel clock. French, circa 1880. The movement with impressed stamp to the backplate 'Vincenti et Cie 'Médaille D'Argent 1855', 'PARIS'. Thi...

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

A miniature carriage clock timepiece by Thomas Cole and his brother James Fergusson Cole. The eight day single fusee movement with english lever escapement. The case is decorated with the ‘Rose and Trellis’ pattern as seen on another of Coles clocks retailed by Edward Dent with the same handle and case construction ( JB Hawkins, “The Hawkins Pictorial Survey of Cole Clocks...

An Unusual 'Inkwell' Table Clock Attributed to Thomas Cole Constructed from gilt brass, the novelty timepiece rising from a turned ebonised base inset with a concave brass tray e...

Early Victorian Strut clock in the style of Thomas Cole. Gilded frame with engraved scroll work, oval beaded bezel surrounding a beautiful e...

English brass skeleton clock under original glass dome with a polished steel roman numeral dial, fusee chain movement, and affixed to an oval carved wood felt base with four bun feet...