1920’s Bakelite Italian Railway Station Wall Clock from the Italian Riviera

An Art Deco wood and textured gesso, guilt painted portal mirror with bevelled edge. Original paper to verso with remnants of original label. This small and delicate Art Deco Portal...

Discovered on our travels in Italy and still yet to be seen again, this sleek 1920’s Art Deco chrome Bankers desk light with ink well or pen holder ...

Italian 1950s Brass Shield Mirror in the Style of Gio Ponti Mid-Century Modern Wall Mirror An elegant Italian mid-century brass-framed shield mirror dating from the 1950s, designed...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

5 pcs of bakelite industrial wall clock from about 1940's, 1950's. Diameter 49 cm and a depth of 10,5 cm. The clock is in perfect condition, no major scratches, no glass scratched....

One of the more rare Bakelite French clocks we have in stock. This clock has a wonderful Bakelite case design. The bezel is mirror chrome, the Bakelite is a deep mottled red with fle...

Italian modern Wall or table pendulum clock by 555 Shanghai in wood, metal and glass, 1980s Wall or table pendulum clock with square wooden structure in different shades. On the fron...

Portuguese wall clock, Art Deco. With straight lines and gentle curves, the frame is made of varnished wood, with a rectangular shape and slightly arched top. The dial is white with...